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These artists also vowed never to perform at Sun City, because to do so would in their minds seem to be an acceptance of apartheid. Schechter had also taken on the job of documenting the sessions on video and producing a behind-the-scenes documentary, working with 16mm film crews and independent production companies.
The Sun (Russian: Сóлнце, Solntse) is a 2005 Russian biographical film directed by Alexander Sokurov, depicting Japanese Emperor Shōwa during the final days of World War II. It is the third film in a trilogy by the Russian director, that includes Taurus , about Vladimir Lenin , and Moloch , about Adolf Hitler . [ 1 ]
Schechter's film WMD: Weapons of Mass Deception won the Austin Film Festival's Documentary Film Award in 2004. [12] [13] From 1999 to 2010, Schechter was also executive editor and "blogger-in-chief" at the now-defunct MediaChannel.org, for which he wrote a nearly-3000-word daily blog on media and society. [14]
Into the Sun is a 2005 American action thriller film directed by Christopher "mink" Morrison. It stars Steven Seagal , who also produced and co-wrote the film, along with Matthew Davis , Takao Osawa , Eddie George , Juliette Marquis , Ken Lo , and William Atherton .
This list is sorted by the number of tickets sold nationwide, according to the filmindonesia.or.id. [1] However, the information on filmindonesia.or.id was accrued only from 2007, making some films that was released before 2007 are not included or do not have an accurate number of admissions.
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Schechter and Lowe based the semi-autobiographical film on incidents from their personal lives, crafting a simultaneously offbeat and naturalistic New York story. Schechter's own experience as an editor is evident in the script, which blends intimate relationships with humorous details of life in an editing room. [ 3 ]
The Sun in a Net (Slnko v sieti, also translated as Sunshine in a net or Catching the sun in a net [1]) is a 1963 film that became a key film in the development of Slovak and Czechoslovak cinema from the mandated Socialist-Realist filmmaking of the repressive 1950s towards the Czechoslovak/Czech New Wave and socially critical or experimental films of the 1960s marked by a gradual relaxation of ...