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"Riot in Cell Block #9" is a R&B song composed by Jerry Leiber and Mike Stoller in 1954. The song was first recorded by The Robins the same year. [1] That recording was one of the first R&B hits to use sound effects and employed a Muddy Waters stop-time riff as the instrumental backing.
The Robins were a successful and influential American R&B group of the late 1940s and 1950s, one of the earliest such vocal groups who established the basic pattern for the doo-wop sound. [2] They were founded by Ty Terrell, and twin brothers Billy Richards and Roy Richards. Bobby Nunn soon joined the lineup.
The group started out as the house band for the record labels All Platinum Records and in particular, Stang Records in the early 1970s. The then nameless rhythm section recorded for the artists signed to the company (including Hank Ballard, Donnie Elbert, Shirley & Company, Chuck Jackson, Brook Benton, Solomon Burke, Brother to Brother, Eleanor Mills, The Moments, and Etta James).
In its new format, Boilen and producer/co-host Robin Hilton wrote a blog where they introduced music from unsigned and unknown bands and solicit ideas for shows from listeners. [4] There was an online music channel, "All Songs 24/7", which used to stream music from the program's archive, however this was discontinued in March 2019. [5]
This is an accepted version of this page This is the latest accepted revision, reviewed on 25 December 2024. British record label The topic of this article may not meet Wikipedia's notability guidelines for companies and organizations. Please help to demonstrate the notability of the topic by citing reliable secondary sources that are independent of the topic and provide significant coverage ...
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The Sounds was the special guest on the No Doubt Summer Tour in 2009, starting in May 2009 in outdoor amphitheaters and arenas across the US and Canada. The Sounds also played a series of headline shows around the US and Canada in late April and early May prior to joining the No Doubt tour.
Robin Beanland is a British composer of video game music, composing music for numerous Rare titles, such as the Killer Instinct franchise, Conker's Bad Fur Day (which he also co-wrote the screenplay with Chris Seavor), and many others. Prior to joining Rare, Beanland composed music for TV and films.