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The Robins were a successful and influential American R&B group of the late 1940s and 1950s, one of the earliest such vocal groups who established the basic pattern for the doo-wop sound. [2] They were founded by Ty Terrell, and twin brothers Billy Richards and Roy Richards. Bobby Nunn soon joined the lineup.
"Riot in Cell Block #9" is a R&B song composed by Jerry Leiber and Mike Stoller in 1954. The song was first recorded by The Robins the same year. [1] That recording was one of the first R&B hits to use sound effects and employed a Muddy Waters stop-time riff as the instrumental backing.
Sounds of the Seventies was a 40-volume series issued by Time-Life during the late 1980s and early-to-mid 1990s, spotlighting pop music of the 1970s.. Much like Time-Life's other series chronicling popular music, volumes in the "Sounds of the Seventies" series covered a specific time period, including individual years in some volumes, and different parts of the decade (for instance, the early ...
It was the first and only instance of a father-daughter number-one song in America. Nancy Sinatra was quoted as sarcastically saying, "Some people call (Something Stupid) the Incest Song, which I think is, well, very sweet!" . [9] The single also reached number 1 on the UK Singles Chart the same year. [2]
The group started out as the house band for the record labels All Platinum Records and in particular, Stang Records in the early 1970s. The then nameless rhythm section recorded for the artists signed to the company (including Hank Ballard, Donnie Elbert, Shirley & Company, Chuck Jackson, Brook Benton, Solomon Burke, Brother to Brother, Eleanor Mills, The Moments, and Etta James).
This is an accepted version of this page This is the latest accepted revision, reviewed on 25 December 2024. British record label The topic of this article may not meet Wikipedia's notability guidelines for companies and organizations. Please help to demonstrate the notability of the topic by citing reliable secondary sources that are independent of the topic and provide significant coverage ...
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Free time is a type of musical anti-meter free from musical time and time signature. It is used when a piece of music has no discernible beat. Instead, the rhythm is intuitive and free-flowing. In standard musical notation, there are seven ways in which a piece is indicated to be in free time: There is simply no time signature displayed.