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The final song on The New Christy Minstrels' May 1964 Columbia Records album Today, [4] the title track was released as the single Columbia 43000 with the B side "Miss Katy Cruel". The record peaked at No. 17 on the Billboard magazine "Hot 100" chart and No. 4 on the magazine's Adult Contemporary chart. [5] [6]
The soundtrack, performed by the New Christy Minstrels, was released in May 1964 as Today and Other Songs from 'Advance to the Rear'. [21] It was the first complete soundtrack to be recorded in the folk music style.
The score was composed by Randy Sparks, with songs sung by The New Christy Minstrels and orchestral music arranged and conducted by Hugo Montenegro. The popular song "Today" (while the blossoms still cling to the vine), comes from this film. The song was composed (both words and music) by Randy Sparks, who was a member of The New Christy ...
He composed "Today"; [4] this was a hit for the New Christy Minstrels from their 1964 album of the same title for Columbia Records (CL 2159/CS 8959). He co-composed " Green, Green " with Barry McGuire for the 1963 album Ramblin (CL 2055/CS 8855). [ 5 ]
The New Christy Minstrels in 1965. (Ramos at top wearing a hat) Ramos joined the New Christy Minstrels, an American folk music band, in 1962. [8] The group served as a backup band on The Andy Williams Show. [1] At the audition, he noted that he was "the only brown kid in the group" and he did not hear back from them for several weeks. [6]
Randy Sparks, the Grammy-winning singer-songwriter and founder of the folk music group the New Christy Minstrels, died Feb. 11 at an assisted-living facility in San Diego. He was 90. His son ...
THE COUNTDOWN: From Charli XCX’s neon-splattered club remix with Lorde to The Cure’s moment of bleary-eyed brilliance 16 years in the making, here are the songs that defined 2024, chosen by ...
Randy Sparks directed and arranged the music and wrote four of the songs. The 14 tracks on Presenting the New Christy Minstrels are mostly traditional songs or covers of songs by other artists. Much of the material on the album would later become "synonymous with the early-'60s youth-driven folk movement." [3]