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They have less narrative or scenic description and much more dialogue than other early 19th-century novels. Austen shapes a distinctive and subtly constructed voice for each character. Her plots are fundamentally about education; her heroines come to see themselves and their conduct more clearly, and become better, more moral people.
Free indirect discourse can be described as a "technique of presenting a character's voice partly mediated by the voice of the author". In the words of the French narrative theorist Gérard Genette, "the narrator takes on the speech of the character, or, if one prefers, the character speaks through the voice of the narrator, and the two instances then are merged". [1]
Jane Austen (/ ˈ ɒ s t ɪ n, ˈ ɔː s t ɪ n / OST-in, AW-stin; 16 December 1775 – 18 July 1817) was an English novelist known primarily for her six novels, which implicitly interpret, critique, and comment upon the English landed gentry at the end of the 18th century. Austen's plots often explore the dependence of women on marriage for ...
The intention of the work was to set down the essential parts of the "ideal novel". Austen was following, and guying, the recommendations of Clarke. [1] The work was also influenced by some of Austen's personal circle with views on the novel of courtship, and names are recorded in the margins of the manuscript; [9] they included William Gifford, her publisher, and her niece Fanny Knight.
Virginia Woolf's unique narrative voice, Thomas Pynchon's postmodernist tendencies, and Jane Austen's use of free indirect discourse are examples of the kind of stylistic elements that have been extensively discussed by scholars and merit mention on any page about these authors' novels. Once again, this should be based on the best sources you ...
A common theme of Austen criticism has been on the legal aspects of society and the family, particularly wills, the rights of first and second sons, and lines of inheritance. Gene Ruoff's book Jane Austen's Sense and Sensibility explores these issues in a book-length discussion of the novel. Ruoff's first two chapters deal extensively with the ...
Jane Austen's Sense and Sensibility (1811) is most often seen as a "witty satire of the sentimental novel", [9] [full citation needed] by juxtaposing values of the Age of Enlightenment (sense, reason) with those of the later eighteenth century (sensibility, feeling) while exploring the larger realities of women's lives, especially through ...
Portrait of Samuel Richardson by Joseph Highmore. National Portrait Gallery, Westminster, England.. The English novel is an important part of English literature.This article mainly concerns novels, written in English, by novelists who were born or have spent a significant part of their lives in England, Scotland, Wales, or Northern Ireland (or any part of Ireland before 1922).