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Austen's novels can easily be situated within the 18th-century novel tradition. Austen, like the rest of her family, was a great novel reader. Her letters contain many allusions to contemporary fiction, often to such small details as to show that she was thoroughly familiar with what she read. Austen read and reread novels, even minor ones. [48]
With the publication in 1939 of Mary Lascelles' Jane Austen and Her Art, the academic study of Austen took hold. [172] Lascelles analysed the books Austen read and their influence on her work, and closely examined Austen's style and "narrative art".
The intention of the work was to set down the essential parts of the "ideal novel". Austen was following, and guying, the recommendations of Clarke. [1] The work was also influenced by some of Austen's personal circle with views on the novel of courtship, and names are recorded in the margins of the manuscript; [9] they included William Gifford, her publisher, and her niece Fanny Knight.
Lascelles included a short biographical essay; an innovative analysis of the books Austen read and their effect on her writing; and an extended analysis of Austen's style and her "narrative art". Lascelles felt that prior critics had all worked on a scale "so small that the reader does not see how they have reached their conclusions until he ...
Jane Austen's purpose never was to write historical or social novels, nor to provide a balanced and objective picture of late 18th century England. Her stories—considered as "comic", because of their happy endings— [ 5 ] all take place in the society she knew, that of a small rural gentry family, rather well-off though without fortune ...
Jane Austen's Sense and Sensibility (1811) is most often seen as a "witty satire of the sentimental novel", [9] [full citation needed] by juxtaposing values of the Age of Enlightenment (sense, reason) with those of the later eighteenth century (sensibility, feeling) while exploring the larger realities of women's lives, especially through ...
Characterizing Jane Austen as a romance writer is at best disputed, [1] and at worst a misconception. [2] [3] Austen wrote novels of manners, with some elements of love and relationships that are vehicles for social commentary. Modern movie adaptations about Austen's books have lead to a misunderstanding of Austen's work. [4]
Virginia Woolf's unique narrative voice, Thomas Pynchon's postmodernist tendencies, and Jane Austen's use of free indirect discourse are examples of the kind of stylistic elements that have been extensively discussed by scholars and merit mention on any page about these authors' novels. Once again, this should be based on the best sources you ...
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