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Port with the disembarkation of Cleopatra in Tarsus (1642), by Claude Lorrain, Musée du Louvre, Paris. Light in painting fulfills several objectives, both plastic and aesthetic: on the one hand, it is a fundamental factor in the technical representation of the work, since its presence determines the vision of the projected image, as it affects certain values such as color, texture and volume ...
Nighthawks is a 1942 oil on canvas painting by the American artist Edward Hopper that portrays four people in a downtown diner late at night as viewed through the diner's large glass window. The light coming from the diner illuminates a darkened and deserted urban streetscape. The painting has been described as Hopper's best-known work [1] and ...
Street Light (also known as The Street Light: Study of Light and Street Lamp (Suffering of a Street Lamp) [3]) (Italian: Lampada ad arco) is a painting by Italian Futurist painter Giacomo Balla, dated 1909, depicting an electric street lamp casting a glow that outshines the crescent moon.
The light is generally cool, hard, and non-diffuse; "soft, atmospheric, painterly light is not luminist light". Brushstrokes are concealed to minimize recognition that the painting is an artefact. Luminist paintings tend not to be large to suggest a sense of timeless intimacy. The picture surface or plane is emphasized, recalling primitivism ...
Aurora Borealis is an 1865 painting by the American artist Frederic Edwin Church of the aurora borealis and the Arctic expedition of Isaac Israel Hayes. The painting measures 142.3 by 212.2 centimetres (56.0 in × 83.5 in) and is now owned by the Smithsonian American Art Museum. [1] [2]
This is an incomplete list of the oil paintings of J. M. W. Turner (23 April 1775 – 19 December 1851), [1] a master noted for his skill in the portrayal of light, and in the painting of maritime scenes.
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