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Dieric Bouts [note 1] (born c. 1415 – 6 May 1475) [2] was an Early Netherlandish painter.Bouts may have studied under Rogier van der Weyden, and his work was influenced by van der Weyden and Jan van Eyck.
The Ascension of the Elect is a c. 1470 oil on panel painting by the Early Netherlandish painter Dieric Bouts, originally produced as part of a triptych of the Last Judgment commissioned by the town of Louvain in 1468. [1] The central panel is lost but the other side panel, The Fall of the Damned, survives.
Altarpiece of the Holy Sacrament or Triptych of the Last Supper is a 1464–1468 dated folding triptych with at least five panel paintings attributed to the Flemish painter Dieric Bouts, now reassembled and held at its location of origin in the eastern choir chapel of St. Peter's Church, Leuven, Belgium.
Lamentation of Christ is an Early Netherlandish panel painting made 1455–1460 by Flemish painter Dirk Bouts of the Lamentation of Christ. [1] the picture was bequeathed to the Louvre Museum by Constant Mongé-Misbach in 1871, at which time it was misattributed to Rogier van der Weyden. [2] [3] It remains in that museum's collection as RF 1 ...
Dirk Bouts; Usage on fr.wikipedia.org L'Ascension des élus; Usage on www.wikidata.org Q18384768; Wikidata:WikiProject sum of all paintings/Creator/Dieric Bouts; Wikidata:WikiProject sum of all paintings/Collection/Palais des beaux-arts de Lille; Wikidata:WikiProject sum of all paintings/Catalog/Catalogue of paintings in the musée de Lille, 1893
The Fall of the Damned (Dutch: De Val van de verdoemden) is an oil on panel painting by the Early Netherlandish painter Dieric Bouts, completed in 1470.It was produced as the rightmost section of a triptych of a Last Judgment scene commissioned for the town hall of Louvain, Belgium, in 1468.
At least ten other versions are known, including one from the workshop of Dirk Bouts in the National Gallery, London. [ 2 ] [ 3 ] Although devotional diptychs were common in mid-15th century northern art, they typically, following the innovations of the highly commercially successful Rogier van der Weyden – whom Bouts was known to have been ...
The literature about the Bouts picture notes how the figure of Erasmus undergoes his suffering without betraying any emotion. The executioners likewise "carry out their duties seriously", in "disturbing silence", [ 3 ] while the Emperor Diocletian and his three companions witnessing the event appear to stand in a meditative state, much as the ...