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As a smithing god, Hephaestus made all the weapons of the gods in Olympus. He served as the blacksmith of the gods, and was worshipped in the manufacturing and industrial centres of Greece, particularly Athens. The cult of Hephaestus was based in Lemnos. [1] Hephaestus's symbols are a smith's hammer, anvil, and a pair of tongs.
[19] Being such skilled craftsmen of great size and strength, later poets, beginning with the third-century BC poet Callimachus, imagine these Cyclopes, the primordial makers of Zeus' thunderbolt, becoming the assistants of the smith-god Hephaestus, at his forge in Sicily, underneath Mount Etna, or perhaps the nearby Aeolian Islands. [20]
The thunderbolt pattern with an eagle on a coin from Olympia, Greece, 432-c.421 BC. Zeus' head and thunderbolt on a coin from Capua, Campania, 216-211 BC. Ptolemaic coin showing the Eagle of Zeus, holding a thunderbolt. A thunderbolt or lightning bolt is a symbolic representation of lightning when accompanied by a loud thunderclap.
Fragment of a Hellenistic relief (1st century BC–1st century AD) depicting the twelve Olympians carrying their attributes in procession; from left to right: Hestia (scepter), Hermes (winged cap and staff), Aphrodite (veiled), Ares (helmet and spear), Demeter (scepter and wheat sheaf), Hephaestus (staff), Hera (scepter), Poseidon (trident), Athena (owl and helmet), Zeus (thunderbolt and staff ...
The local child of the Great Mother, "a small and inferior deity who took the roles of son and consort", [335] whose Minoan name the Greeks Hellenized as Velchanos, was in time assumed as an epithet by Zeus, as transpired at many other sites, and he came to be venerated in Crete as Zeus Velchanos ("boy-Zeus"), often simply the Kouros.
Finally Typhon attempts to wield Zeus' thunderbolts, but they "felt the hands of a novice, and all their manly blaze was unmanned." [80] Now Zeus' sinews had somehow – Nonnus does not say how or when — fallen to the ground during their battle, and Typhon had taken them also. [81] But Zeus devises a plan with Cadmus and Pan to beguile Typhon ...
In Euripides' Ion (c. 410 BC), the chorus, describing the wonders of the late sixth century Temple of Apollo at Delphi, tell of seeing depicted there the Gigantomachy showing, among other things, Zeus burning Mimas "to ashes" with his thunderbolt. [3]
Zeus, Heracles and Athena are attacking Giants to the right. [99] Zeus mounts a chariot brandishing his thunderbolt in his right hand, Heracles, in the chariot, bends forward with drawn bow and left foot on the chariot pole, Athena, beside the chariot, strides forward toward one or two Giants, and the four chariot horses trample a fallen Giant.