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Orphism has been described as a reform of the earlier Dionysian religion, involving a re-interpretation or re-reading of the myth of Dionysus and a re-ordering of Hesiod's Theogony, based in part on pre-Socratic philosophy. [3] The suffering and death of the god Dionysus at the hands of the Titans has been considered the central myth of Orphism ...
He is best known for his book The Arts of Orpheus (1941), in which he analysed a large number of sources for Orphism and Orphic literature. His work is noted for its thoroughly sceptical approach to the evidence, attempting to the repudiate the notions of a coherent Orphism put forward by earlier scholars. [ 2 ]
The theories could be updated, however, by considering new reports, which Robert Ranulph Marett (1866–1943) did for Tylor's theory of the evolution of religion. Field workers deliberately sent out by universities and other institutions to collect specific cultural data made available a much greater database than random reports.
One modern academic theory of religion, social constructionism, says that religion is a modern concept that suggests all spiritual practice and worship follows a model similar to the Abrahamic religions as an orientation system that helps to interpret reality and define human beings, [6] and thus believes that religion, as a concept, has been ...
The theory posits that these differing ritual patterns promote the transmission of religious traditions by exploiting core memory processes. Imagistic rituals arouse strong emotion and generate vivid, flashbulb like, episodic memories , while doctrinal rituals repetitive nature means that rather than individual events the experiences over time ...
The intoxication that they sought was that of "enthusiasm," of union with the god. They believed themselves, in this way, to acquire mystic knowledge not obtainable by ordinary means. This mystical element entered into Greek philosophy with Pythagoras, who was a reformer of Orphism as Orpheus was a reformer of the religion of Dionysus.
Orphism or Orphic Cubism, a term coined by the French poet Guillaume Apollinaire in 1912, was an offshoot of Cubism that focused on pure abstraction and bright colors, influenced by Fauvism, the theoretical writings of Paul Signac, Charles Henry and the dye chemist Michel Eugène Chevreul.
Robert Delaunay (French: [ʁɔbɛʁ dəlonɛ]; 12 April 1885 – 25 October 1941) was a French artist of the School of Paris movement; [1] who, with his wife Sonia Delaunay and others, co-founded the Orphism art movement, noted for its use of strong colours and geometric shapes.