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  2. List of musical scales and modes - Wikipedia

    en.wikipedia.org/wiki/List_of_musical_scales_and...

    List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual ; 15 equal temperament

  3. Lydian mode - Wikipedia

    en.wikipedia.org/wiki/Lydian_mode

    The Lydian scale can be described as a major scale with the fourth scale degree raised a semitone, making it an augmented fourth above the tonic; e.g., an F-major scale with a B ♮ rather than B ♭. That is, the Lydian mode has the following formula:

  4. Mode (music) - Wikipedia

    en.wikipedia.org/wiki/Mode_(music)

    [citation needed] From that, we can list the scales and the triad qualities and the seventh chord qualities in each scale as degrees of Dorian mode and Aeolian dominant scale (Dorian ♯3 ♭6 scale) and Neapolitan major scale (Dorian ♭2 ♯7 scale) and double harmonic scale (Dorian ♭2 ♯3 ♭6 ♯7 scale) and the two types of Dorian ...

  5. Mode of limited transposition - Wikipedia

    en.wikipedia.org/wiki/Mode_of_limited_transposition

    The augmented scale: 0 3 4 7 8 11 (Root, minor 3rd, major 3rd, 5th, augmented 5th, major 7th, or minor 3rd, semitone, minor 3rd, semitone, minor 3rd, semitone) may appear to be an inexplicable omission on Messiaen's part. It is a symmetrical scale used frequently by modern jazz improvisers.

  6. Lydian Chromatic Concept of Tonal Organization - Wikipedia

    en.wikipedia.org/wiki/Lydian_Chromatic_Concept...

    Lydian mode on C Play ⓘ. Thirteenth chord constructed from notes of the Lydian mode. Play ⓘ Russell's original six Lydian scales [1] The Lydian Chromatic Concept of Tonal Organization is a 1953 jazz music theory book written by George Russell. The book is the founding text of the Lydian Chromatic Concept (LCC), or Lydian Chromatic Theory (LCT).

  7. Lydian chord - Wikipedia

    en.wikipedia.org/wiki/Lydian_chord

    Lydian chords may function as subdominants or substitutes for the tonic in major keys. [3] The compound interval of the augmented eleventh (enharmonically equivalent to ♯ 4, the characteristic interval of the Lydian mode) is used since the simple fourth usually only appears in suspended chords (which replace the third with a natural fourth, for example C sus4).

  8. Diminution - Wikipedia

    en.wikipedia.org/wiki/Diminution

    A diminished triad with a minor seventh is a half-diminished chord, usually notated either Cm 7(♭ 5) or C ø7. A diminished triad played over a root a major third away creates a Dominant 7th chord, notated C 7, with a C Major triad on the bottom, and an E° from the chord third of C (C E G B ♭). A minor third below would give a fully ...

  9. Hypolydian mode - Wikipedia

    en.wikipedia.org/wiki/Hypolydian_mode

    The Hypolydian mode, literally meaning "below Lydian", is the common name for the sixth of the eight church modes of medieval music theory. [1] The name is taken from Ptolemy of Alexandria's term for one of his seven tonoi, or transposition keys. [2] This mode is the plagal counterpart of the authentic fifth mode.

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