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Mad Season was an American rock supergroup [3] formed in 1994 as a side project of members of other bands in the Seattle grunge scene. [4] The band's principal members included guitarist Mike McCready of Pearl Jam, lead singer Layne Staley of Alice in Chains, drummer Barrett Martin of Screaming Trees, and bassist John Baker Saunders.
This category contains articles about members of the rock band Mad Season. Pages in category "Mad Season (band) members" The following 6 pages are in this category, out of 6 total.
They soon changed the band's name to Mad Season. Mad Season's 1995 album Above was awarded a gold record for sales in the United States. It was the only album that Mad Season would record. In 1997, when Mad Season vocalist Layne Staley left the band, the remaining members tried to revive the band by finding a new singer in Mark Lanegan of ...
The band released its seventh studio album, Riot Act, in 2002. Pearl Jam's contribution to the 2003 film, Big Fish, "Man of the Hour", was nominated for a Golden Globe Award in 2004. [27] The band's eighth studio album, the eponymous Pearl Jam, was released in 2006. The band followed it with Backspacer (2009), Lightning Bolt (2013), and Gigaton ...
Mad Season (band) members (6 P) S. Mad Season (band) songs (4 P) Pages in category "Mad Season (band)" This category contains only the following page.
He then joined Screaming Trees full-time and remained with that band until it split in 2000. In the meantime, Martin formed the grunge supergroup Mad Season with Mike McCready, Layne Staley, and Baker Saunders; that band released the album Above in 1995, after which the members returned to their full-time bands. [7]
The following year, Lanegan was featured as a guest vocalist in the Barrett Martin (alongside Layne Staley and Mike McCready) side project Mad Season. Lanegan co-wrote and sang on two songs. Mad Season would only release one album because of Staley's deteriorating health and the 1999 death of bassist John Baker Saunders.
However, she criticized the album for having a "hit-or-miss quality." Davies ended the review by stating that "the band is—at times—more than the mere sum of its parts." [13] Chuck Eddy of Entertainment Weekly gave the album a C. He said, "A sax solo and zooming guitars provide momentary relief, but most Mad Season sludge is unbearably ...