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Smackwater Jack (song) So Far Away (Carole King song) So Much Love (Ben E. King song) Some Kind of Wonderful (The Drifters song) Some of Your Lovin' Someone Who Believes in You; Star Collector; Sweet Seasons; Sweet Young Thing
It should only contain pages that are Carole King songs or lists of Carole King songs, as well as subcategories containing those things (themselves set categories). Topics about Carole King songs in general should be placed in relevant topic categories .
It features songs such as "It's Going to Take Some Time" (US No. 12 by The Carpenters), "Sweet Seasons", a No. 9 hit for Carole King, and "Brother, Brother". While not as groundbreaking or as successful as King's Tapestry album, Carole King Music experienced immediate success and was certified gold on December 9, 1971, days after release. It ...
The song was written by Carole King and Gerry Goffin and intended for Bobby Vee, for whom they had already written the song "Take Good Care of My Baby", a number one hit in the United States in 1961. King's demo version of the song was released as a single on Dimension Records and it became a hit for her.
King already had a successful career as a songwriter, and been a part of The City, a short-lived group she formed after moving to Los Angeles in 1968. Tracks on the album include " Up on the Roof " which was a number 4 hit for the Drifters in 1962, and "Child of Mine", which has been recorded by Billy Joe Royal , [ 5 ] among others.
Rhymes & Reasons is the fourth album by American singer-songwriter Carole King.Released in 1972, the album features a single "Been to Canaan", which topped the Billboard Adult Contemporary chart and peaked at number 24 on the Pop chart.
"Wasn't Born to Follow", also known as "I Wasn't Born to Follow", is a song written by Gerry Goffin and Carole King.Goffin wrote the lyrics and King provided the music. The song was first recorded by the Byrds on their 1968 album, The Notorious Byrd Brot
Carole King herself recorded "I Can't Hear You No More" for her debut solo album Writer in 1970. In his book The Words and Music of Carole King, James Perone says the song "works well enough for King, but the style of the song and the arrangement" - Perone calls the arrangement "Philadelphia soul influenced" - "are such that it doesn't have the impact of some of King's later compositions that ...