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In the later decades of the 19th century, the music industry became dominated by a group of publishers and song-writers in New York City that came to be known as Tin Pan Alley. Tin Pan Alley's representatives spread throughout the country, buying local hits for their publishers and pushing their publisher's latest songs.
In the 19th century, American protest songs focused heavily on topics including slavery, poverty, and the Civil War while the 20th century saw an increased popularity in songs pertaining to women's rights, economic injustice, and politics/ war. [2] In the 21st century, popular protest songs address police brutality, racism, and more. [3]
As a musical movement, nationalism emerged early in the 19th century in connection with political independence movements, and was characterized by an emphasis on national musical elements such as the use of folk songs, folk dances or rhythms, or on the adoption of nationalist subjects for operas, symphonic poems, or other forms of music. [1]
The Moravian Church continued to produce a number of renowned composers into the 19th century, including John Antes as well as Francis F. Hagen, Johann Christian Bechler, Edward W. Leinbach, Simon Peter, David Moritz Michael, Georg Gottfried Müller, Peter Wolle, Jeremiah Dencke and Johannes Herbst. Herbst was also a noted collector, whose ...
It became one of the most popular tunebooks of the mid-19th century, and had a lasting influence on shape note singing. [68] Oliver Ditson founds a music publishing company, which will become the most important such company in the country by the 1880s. [69]
The operatic and theatrical styles of nineteenth-century social structures were replaced by a musical style more aptly suited to twentieth-century society and its vernacular idiom. It was from America that the more direct style emerged, and in America that it was able to flourish in a developing society less hidebound by nineteenth-century ...
Orpheus in the Twenty-first Century: Historicism and the Art Music Renascence. Gainesville, Florida: New Music Classics [online publisher]. Frisch, Walter. 2002. "Reger's Bach and Historicist Modernism". 19th-century Music 25:296–312. Frisch, Walter. 2004. "Reger's Historicist Modernism." The Musical Quarterly 87, no. 4 (October): 732–48.
Thomas Funk publishes Choral Music, a songbook that helps establish the American shape note singing tradition. Funk's descendants will carry on his legacy in founding Ruebush-Kieffer, a publishing company that will be the predecessor of most of the Southern religious music publishing firms of the late 19th and early 20th centuries. [225]