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Macbeth was a favourite of the seventeenth-century diarist Samuel Pepys, who saw the play on 5 November 1664 ("admirably acted"), 28 December 1666 ("most excellently acted"), ten days later on 7 January 1667 ("though I saw it lately, yet [it] appears a most excellent play in all respects"), on 19 April 1667 ("one of the best plays for a stage ...
Hamlet is considered among the "most powerful and influential tragedies in the English language", with a story capable of "seemingly endless retelling and adaptation by others". [1] It is widely considered one of the greatest plays of all time. [2]
Shakespeare is thought to have written Act I, scenes i and ii; II, ii and iv; III, ii, lines 1–203 (to exit of King); V, i. King John: 1595–1598 [42] First known performance at Covent Garden Theatre on 26 February 1737 but doubtlessly performed as early as the 1590s. Richard II: Richard III: Around 1593. [43] First published in a quarto in ...
"Tomorrow and tomorrow and tomorrow" is the beginning of the second sentence of one of the most famous soliloquies in William Shakespeare's tragedy Macbeth. It takes place in the beginning of the fifth scene of Act 5, during the time when the Scottish troops, led by Malcolm and Macduff , are approaching Macbeth 's castle to besiege it.
Macbeth and Banquo with the Witches by Henry Fuseli. The Three Witches first appear in Act 1, Scene 1, where they agree to meet later with Macbeth. In Act 1, Scene 3, they greet Macbeth with a prophecy that he shall be king, and his companion, Banquo, with a prophecy that he shall generate a line of kings. The prophecies have great impact upon ...
The monologue, spoken in the play by Prince Hamlet to Rosencrantz and Guildenstern in Act II, Scene 2, follows in its entirety. Rather than appearing in blank verse, the typical mode of composition of Shakespeare's plays, the speech appears in straight prose:
In Act III, Hamlet seems to drop the pretense of friendship, coldly dismissing the two in Scene 2. Line 319 is perhaps his only use of the royal "we" in the play, although he may also be addressing the other person present on the stage, Horatio, with whom Hamlet first saw the ghost they are discussing. To his mother, he comments in Scene 4 that ...
The Gravediggers (or Clowns) are examples of Shakespearean fools (also known as clowns or jesters), a recurring type of character in Shakespeare's plays. Like most Shakespearean fools, the Gravediggers are peasants or commoners that use their great wit and intellect to get the better of their superiors, other people of higher social status, and each other.