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Many blues songs were developed in American folk music traditions and individual songwriters are sometimes unidentified. [1] Blues historian Gerard Herzhaft noted: In the case of very old blues songs, there is the constant recourse to oral tradition that conveyed the tune and even the song itself while at the same time evolving for several decades.
Marcia Ball (born March 20, 1949) [1] is an American blues singer and pianist raised in Vinton, Louisiana. [1]Ball was described in USA Today as "a sensation, saucy singer and superb pianist... where Texas stomp-rock and Louisiana blues-swamp meet."
Joshua Altheimer (May 17, 1910 – November 18, 1940) [1] [2] [note 1] was an American pianist who is remembered for accompanying Big Bill Broonzy, Lonnie Johnson, Sonny Boy Williamson and others on influential blues recordings made in Chicago in the 1930s.
Davis had a rich singing voice that was as expressive as the best of the Delta blues vocalists. His best-known recording, a version of the train blues standard "Sunnyland Blues", [3] released in 1931, is more notable for the warmth and poignancy of his singing than for his piano playing. [4] His best-known songs included "Come Back Baby ...
The song is a moderately slow-tempo twelve-bar blues, notated in 4 4 or common time in the key of B. [4] [5] Oden, as St. Louis Jimmy, recorded it in Chicago on November 11, 1941. It was released as a single by Bluebird Records and featured Oden's vocal with accompaniment by Roosevelt Sykes on piano and Alfred Elkins on "imitation" bass. [6]
He often played guitar on one or two songs on his albums and at live performances. [3] In 1936 he relocated to Chicago, where he recorded between 1937 and 1941 on Vocalion, Bluebird, and OKeh. Among his best-known tunes from these recordings were the hit "Lonesome Bedroom Blues" and the song "Tin Pan Alley". [3]
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