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  2. Aeolian mode - Wikipedia

    en.wikipedia.org/wiki/Aeolian_mode

    The Aeolian mode is the sixth mode of the major scale, that is, it is formed by starting on the sixth degree of the major scale. For example, if the Aeolian mode is used in its all-white-note pitch based on A, this would be an A-minor triad, which would be the submediant in the relative major key of C major.

  3. List of musical scales and modes - Wikipedia

    en.wikipedia.org/wiki/List_of_musical_scales_and...

    Aeolian mode or natural minor scale: Aeolian on C. Play ... Ukrainian Dorian mode on C. Play ...

  4. Mode (music) - Wikipedia

    en.wikipedia.org/wiki/Mode_(music)

    The Dorian mode is very similar to the modern natural minor scale (see Aeolian mode below). The only difference with respect to the natural minor scale is in the sixth scale degree, which is a major sixth (M6) above the tonic, rather than a minor sixth (m6). Tonic triad: Dm; Tonic seventh chord: Dm 7; Dominant triad: Am

  5. Bebop scale - Wikipedia

    en.wikipedia.org/wiki/Bebop_scale

    It contains all of the notes of both the harmonic minor scale and the natural minor scale (Aeolian mode) of the same root. It can be used on all three chords of a minor ii–V–I progression. It is the sixth mode of the bebop major scale: for instance, the C bebop harmonic minor scale has the same pitches as the E ♭ bebop major scale.

  6. Heptatonic scale - Wikipedia

    en.wikipedia.org/wiki/Heptatonic_scale

    the harmonic minor scale, like the Aeolian mode but with raised 7th the harmonic major scale , like the major scale but with lowered 6th Indian classical theory postulates seventy-two seven-tone scale types, collectively called melakarta or thaat , whereas others postulate twelve or ten (depending on the theorist) seven-tone scale types.

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  8. Aeolian dominant scale - Wikipedia

    en.wikipedia.org/wiki/Aeolian_dominant_scale

    The Aeolian dominant scale (Aeolian ♯ 3 scale), Mixolydian ♭ 6 scale, descending melodic major scale, or Hindu scale [1] [2] is the fifth mode of the ascending melodic minor scale. It is named Aeolian dominant because its sound derives from having a dominant seventh chord on the tonic in the context of what is otherwise the Aeolian mode.

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