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The Aeolian mode is the sixth mode of the major scale, that is, it is formed by starting on the sixth degree of the major scale. For example, if the Aeolian mode is used in its all-white-note pitch based on A, this would be an A-minor triad, which would be the submediant in the relative major key of C major.
Aeolian ♯3 scale, Mixolydian ♭6 scale, Hindu scale, ... All modes mapped out in all positions for 6, 7 and 8 string guitar; The use of guitar modes in jazz music;
Aeolian mode or natural minor scale: Aeolian on C. Play ... Min'yō scale on D, equivalent to yo scale on C, with brackets on fourths. Play ...
the ascending melodic minor scale or jazz minor scale (also known as the Ionian ♭ 3 or Dorian ♯ 7): this form of the scale is also the 5th mode of the acoustic scale. the descending melodic minor scale: this form is identical to the natural minor scale . The ascending and descending forms of the A melodic minor scale are shown below:
The Aeolian dominant scale (Aeolian ♯ 3 scale), Mixolydian ♭ 6 scale, descending melodic major scale, or Hindu scale [1] [2] is the fifth mode of the ascending melodic minor scale. It is named Aeolian dominant because its sound derives from having a dominant seventh chord on the tonic in the context of what is otherwise the Aeolian mode .
[citation needed] The bass and guitar play the root (B) while the keyboardist implies the chords in the progression: B5, Bm7, Bm6, G/B, A/B. Ignoring the root, the scales used for each of these four chords would be B Aeolian (natural minor), B Dorian, C♯ Mixolydian, and E Aeolian, respectively.
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