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Joseph Mallord William Turner RA (23 April 1775 – 19 December 1851), known in his time as William Turner, [a] was an English Romantic painter, printmaker and watercolourist. He is known for his expressive colouring, imaginative landscapes and turbulent, often violent marine paintings.
J.M.W. Turner, Self-portrait, c. 1799 This is an incomplete list of the oil paintings of J. M. W. Turner (23 April 1775 – 19 December 1851), [ 1 ] a master noted for his skill in the portrayal of light, and in the painting of maritime scenes.
Forum Romanum is an 1826 cityscape painting by the British artist J.M.W. Turner depicting the Roman Forum in the Italian capital of Rome.Painted during the Regency era it features surviving buildings from Ancient Rome seen in the afternoon light.
The Author was in this Storm on the Night the "Ariel" left Harwich) [1] is a painting by English artist Joseph Mallord William Turner (1775–1851) from 1842. [ 2 ] [ 3 ] Though panned by many contemporary critics, critic John Ruskin commented in 1843 that it was "one of the very grandest statements of sea-motion, mist and light, that has ever ...
Mr. Turner is a 2014 biographical drama film based on the last 25 years of the life of artist J. M. W. Turner (1775–1851). Written and directed by Mike Leigh, the film stars Timothy Spall in the title role, with Dorothy Atkinson, Paul Jesson, Marion Bailey, Lesley Manville, and Martin Savage.
Landscape with Lake and Fallen Tree (J. M. W. Turner) Landscape with Windmill and Rainbow (J. M. W. Turner) Light and Colour (Goethe's Theory) – The Morning after the Deluge – Moses Writing the Book of Genesis; Limekiln at Coalbrookdale (J. M. W. Turner) London from Greenwich Park
East Cowes Castle is an 1828 landscape painting by the British artist J. M. W. Turner. [1] It depicts the Cowes Regatta and is sometimes known as The Regatta Starting for their Moorings to distinguish it from a companion piece The Regatta Beating to Windward.
The Field of Waterloo is an 1818 history painting by the English artist J. M. W. Turner. It portrays the aftermath of the Battle of Waterloo which took place on 18 June 1815. Rather than the triumphal depictions commonplace in portrayals of the battle, it functions more as an elegy to Waterloo's unknown victims.