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Poems on Various Subjects, Religious and Moral by Phillis Wheatley, Negro Servant to Mr. John Wheatley, of Boston, in New England (published 1 September 1773) is a collection of 39 poems written by Phillis Wheatley, the first professional African-American woman poet in America and the first African-American woman whose writings were published.
God's Trombones: Seven Negro Sermons in Verse is a 1927 book of poems by James Weldon Johnson patterned after traditional African-American religious oratory. African-American scholars Henry Louis Gates and Cornel West have identified the collection as one of Johnson's two most notable works, the other being Autobiography of an Ex-Colored Man. [1]
Like most African American spirituals, Gospel Plow can be defined as a "musical poem, not attributable to any specific poet or composer" that describes some aspect of the "early Afro-American's view of life." [2] The allusion to the plow makes clear reference to the enslaved condition of African Americans working in the fields.
Spirituals (also known as Negro spirituals, African American spirituals, [1] Black spirituals, or spiritual music) is a genre of Christian music that is associated with African Americans, [2] [3] [4] which merged varied African cultural influences with the experiences of being held in bondage in slavery, at first during the transatlantic slave trade [5] and for centuries afterwards, through ...
Go Down Moses" is an African American spiritual that describes the Hebrew Exodus, specifically drawing from the Book of Exodus 5:1, in which God commands Moses to demand the release of the Israelites from bondage in Egypt. "And the LORD spoke unto Moses, Go unto Pharaoh, and say unto him, Thus saith the LORD, Let my people go, that they may ...
"There Is a Balm in Gilead" is a traditional African American spiritual dating back to at least the 19th century. Its refrain appears in Washington Glass's 1854 hymn "The Sinner's Cure", although the hymn is substantially based on an earlier work by John Newton. The Clark Sisters recorded a version of "Balm in Gilead" in 1986.
[2] [3] [4] In 1940, it was included in the Episcopal Church hymnal, making it the first spiritual to be included in any major American hymnal. [ 5 ] [ 6 ] It is also unique in that it is the only African-American song included in the Catholic Church 's Liturgy of the Hours .
Ezekiel Saw the Wheel", often given as "Ezekiel Saw de Wheel" is an African American spiritual. The song's music and text has no known author, but originated among enslaved African-Americans on Plantation complexes in the Southern United States sometime in the early 19th century.
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