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Christine Navarro Paul (December 28, 1874 – 1946), a member of the Native American Chitimacha Tribe of Louisiana, was a celebrated basket maker and teacher.. Beginning in her 20s, she led the efforts of the Chitimacha women to create and sell beautiful woven baskets made from dyed wild river cane.
Doering exhibited her baskets widely, including at such venues as the Southern Plains Indian Museum, Coulter Bay Indian Art Museum, Wheelwright Museum of the American Indian, Fred Jones Jr. Museum of Art, Oklahoma Historical Society, the Kennedy Center in Washington DC, and the Smithsonian Institution Folklife Festival. In 1982 and 1983, she ...
This piece is on display in the Native American art collection of the Casino Arizona. The curator there, Aleta Rinlero says of Antone's work: "She doesn't weave baskets, she weaves concepts." [4] Ancient Hohokam pottery designs also provide Antone with inspiration for basket designs, as have the flora and fauna of the Sonoran Desert. To achieve ...
Mary Holiday Black (c. 1934 – December 13, 2022) was a Navajo basket maker and textile weaver from Halchita, Utah. [2] During the 1970s, in response to a long-term decline in Navajo basketry, Black played a key role in the revival of Navajo basket weaving by experimenting with new designs and techniques, pioneering a new style of Navajo baskets known as "story baskets."
She is the granddaughter of Pomo basket weaver Susan Santiago Billy. [2] She grew up outside of Washington D.C. in Virginia, where her father worked for the Veterans Administration. In 1973, Billy moved to California and soon after located to Ukiah, California, where she studied Pomo basket weaving under her great aunt Elsie Allen for 15 years. [3]
Artist Lucy Telles and large basket, in Yosemite National Park, 1933 A woman weaves a basket in Cameroon Woven bamboo basket for sale in K. R. Market, Bangalore, India. Basket weaving (also basketry or basket making) is the process of weaving or sewing pliable materials into three-dimensional artifacts, such as baskets, mats, mesh bags or even furniture.
Her baskets were featured in many newspapers and she was viewed as a prodigy. [1] She began giving demonstrations in the State Indian Museum in Sacramento, where she refused to sell the baskets she made and instead gave them as gifts. [1] In the late 1970s she began teaching basket-weaving classes for both native and non-native students. [2]
A woven basket made by Lucy Telles (National Museum of the American Indian) Telles, who learned basket weaving as a child, was well known for her fine basketry during her lifetime. Her innovations in basket weaving had a lasting influence on Yosemite weavers. While traditional Miwok baskets had one color, she used two colors per basket.
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