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Cognitive poetics is a school of literary criticism that applies the principles of cognitive science, particularly cognitive psychology, to the interpretation of literary texts. It has ties to reader-response criticism , and also has a grounding in modern principles of cognitive linguistics .
The Sinews of Old England (1857) by George Elgar Hicks shows a couple "on the threshold" between female and male spheres. [1]Terms such as separate spheres and domestic–public dichotomy refer to a social phenomenon within modern societies that feature, to some degree, an empirical separation between a domestic or private sphere and a public or social sphere.
Melopoeia or melopeia is when words are "charged" beyond their normal meaning with some musical property which further directs its meaning, [1] inducing emotional correlations by sound and rhythm of the speech. Melopoeia can be "appreciated by a foreigner with a sensitive ear" but does not translate well, according to Pound. [1]
In this essay, Eliot attempts to define the metaphysical poet and in doing so to determine the metaphysical poet's era as well as his discernible qualities. We may express the difference by the following theory: The poets of the seventeenth century, the successors of the dramatists of the sixteenth, possessed a mechanism of sensibility which ...
Leonardo Bruni's translation of Aristotle's Poetics. Poetics is the study or theory of poetry, specifically the study or theory of device, structure, form, type, and effect with regards to poetry, [1] though usage of the term can also refer to literature broadly.
Ekphrasis: a poem that vividly describes a scene or work of art. [1] Elliptical; Epigram; Folk. Folk ballad; Gnomic: a poems laced with proverbs, aphorisms, or maxims. [1] Hymn: a poem praising God or the divine (often sung). Lament: any poem expressing deep grief, usually at a death or some other loss. Dirge
The poet humbles himself, "as though he were ceasing to be a poet", but does so in such a way as to empty out the precursor poem too, so that the later poet is not deflated as much as may seem. Bloom took the word kenosis from St. Paul, who uses it to refer to Jesus accepting his own reduction from divine to human status. [4]
Conceptual writing (often used interchangeably with conceptual poetry) is a style of writing which relies on processes and experiments.This can include texts which may be reduced to a set of procedures, a generative instruction or constraint, or a "concept" which precedes and is considered more important than the resulting text(s).