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Cognitive poetics is a school of literary criticism that applies the principles of cognitive science, particularly cognitive psychology, to the interpretation of literary texts. It has ties to reader-response criticism, and also has a grounding in modern principles of cognitive linguistics.
In poetry, they act as non-verbal tools of poetic expression. A form of artistic choice, the poet's choice of punctuation is central to our understanding of poetic meaning because of its ability to influence prosody. The unorthodox use of punctuation increases the expressive complexity of poems, or may be used to align poetic metres.
Also apophthegm. A terse, pithy saying, akin to a proverb, maxim, or aphorism. aposiopesis A rhetorical device in which speech is broken off abruptly and the sentence is left unfinished. apostrophe A figure of speech in which a speaker breaks off from addressing the audience (e.g., in a play) and directs speech to a third party such as an opposing litigant or some other individual, sometimes ...
Roland Barthes' definition of myth is the semiological self-mythology derived from everyday life (news, entertainment, advertisements), with its own codes and "whistles". [21] The present- I -sign interacts with others through the future- You -interpretant to retroactively form the past- Me -object.
The Sinews of Old England (1857) by George Elgar Hicks shows a couple "on the threshold" between female and male spheres. [1]Terms such as separate spheres and domestic–public dichotomy refer to a social phenomenon within modern societies that feature, to some degree, an empirical separation between a domestic or private sphere and a public or social sphere.
The Anxiety of Influence: A Theory of Poetry is a 1973 book by Harold Bloom on the anxiety of influence in writing poetry. It was the first in a series of books that advanced a new "revisionary" or antithetical [ 1 ] approach to literary criticism .
In this essay, Eliot attempts to define the metaphysical poet and in doing so to determine the metaphysical poet's era as well as his discernible qualities. We may express the difference by the following theory: The poets of the seventeenth century, the successors of the dramatists of the sixteenth, possessed a mechanism of sensibility which ...
As a poet, Xenophanes was known for his critical style, writing poems that are considered among the first satires. He composed elegiac couplets that criticised his society's traditional values of wealth, excesses, and athletic victories. He criticised Homer and the other poets in his works for representing the gods as foolish or morally weak ...