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Roger Greenspun (December 16, 1929 – June 18, 2017) was an American journalist and film critic, best known for his work with The New York Times in which he reviewed near 400 films, particularly in the late 1960s and early 1970s, and for Penthouse for which he was the film critic throughout much of the late 1970s and 1980s.
The film was released on October 12, 1990, in 23 theaters, grossing US$112,188 in its opening weekend. The film grossed only $1.2 million in the North American market, far less than the cost of its production. [18] The Hot Spot received generally positive reviews from critics. Rotten Tomatoes gives it a 71% rating at based on reviews from 28 ...
Barbara, who is humiliated, runs out of their house. Stephen phones Barbara at her home and asks her to meet him at the village weir, late at night, which she does. Barbara does not return home to her parents Henry (Walter Fitzgerald) and Vi (Megs Jenkins). By the next day Vi becomes distraught and is heavily sedated, while Henry angrily ...
Set during a qualifying match at the New Rochelle Tennis Club, outside New York City, the intricately woven story reveals itself through flashbacks that build to a crescendo in the present-day match.
Francis Bosley Crowther Jr. (July 13, 1905 – March 7, 1981) was an American journalist, writer, and film critic for The New York Times for 27 years. His work helped shape the careers of many actors, directors and screenwriters, though some of his reviews of popular films have been seen as unnecessarily harsh.
Richard E. Roeper (born October 17, 1959) [1] is an American columnist and film critic for the Chicago Sun-Times. He co-hosted the television series At the Movies with Roger Ebert from 2000 to 2008, serving as the late Gene Siskel's successor. [2] [3] From 2010 to 2014, he co-hosted The Roe and Roeper Show with Roe Conn on WLS-AM. [4]
A September 2003 review of the eighth episode in the series, by Alessandra Stanley of The New York Times, found it full of "intelligent insights and incomparable images," but ultimately, "too much, too late," like the World Trade Center itself.
[6] On Metacritic, the film has a score of 54 out of 100, based on reviews from 14 critics, indicating "mixed or average reviews". [7] Ken Jaworowski of The New York Times praised the film, writing "Mr. Hauck's affection is apparent in every frame, yet outside of an occasionally clunky line or show-offy moment (O.K., sometimes it's more ...