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Edo Lullaby (Japanese: 江戸子守唄 or Edo komoriuta) is a traditional Japanese cradle song. It originated in Edo, was propagated to other areas, and is said to be the roots of the Japanese lullabies. [1]
In Japan, "Ue o Muite Arukō" topped the Popular Music Selling Record chart in the Japanese magazine Music Life for three months, and was ranked as the number one song of 1961 in Japan. In the US, "Sukiyaki" topped the Billboard Hot 100 chart in 1963, one of the few non-English songs to have done so, and the first in a non-European language.
The "Sakura Sakura" melody has been popular since the Meiji period, and the lyrics in their present form were attached then. [citation needed] The tune uses a pentatonic scale known as the in scale (miyako-bushi pentatonic scale) and is played in quadruple meter and has three parts (ABBAC) which stretch over 14 bars (2 + 4 + 4 + 2 + 2).
Gondola no Uta (ゴンドラの唄, "The Gondola Song") is a 1915 romantic ballad [1] that was popular in Taishō period Japan.Lyrics were written by Isamu Yoshii, melody by Shinpei Nakayama.
In 1969, the folk singing group Akai Tori [] (赤い鳥) made this song popular, and their single, recorded in 1971, became a bestseller.The song has also an additional history in that NHK and other major Japanese broadcasting networks refrained from playing it because it is related to burakumin activities, but this ban was stopped during the 1990s.
Itsuki Lullaby (in Japanese: 五木の子守唄 Itsuki no komoriuta) is a lullaby known widely in Japan, and is a folk song representative of Itsuki Village, Kuma District, Kumamoto Prefecture, on Kyūshū Island.
Kuroda Bushi (Japanese: 黒田節, literally the tune of Kuroda), also known as Kuroda-bushi, is a folk song from Fukuoka City, Fukuoka Prefecture, Japan. This song, since its birth in the 1590s, has become popular across Japan, being sung now often at nomikai (drinking parties) or at karaoke.
The new style of songs were called dōyō, and they are not merely children's songs but also art songs for adults. Yamada's collection, 100 Children's Songs by Kosaku Yamada, was published in 1927 in the early months of the Shōwa period of the Empire of Japan, and established an enduring style of Japanese song. [6] [8]