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The Mask of Agamemnon differs from three of the other masks in a number of ways: it is three-dimensional rather than flat, one of the facial hairs is cut out, rather than engraved, the ears are cut out, the eyes are depicted as both open and shut, with open eyelids, but a line of closed eyelids across the center, the face alone of all the ...
Schliemann claimed that one of the masks he discovered was the mask of King Agamemnon, and that this was the burial site of the legendary king from Homer's Iliad. [4]The masks were likely direct representations of the deceased, symbolizing a continuation of the dead's identity in death, similar to funerary statues and incisions, immortalizing an idealized depiction of the deceased.
The mastoid lymph nodes (retroauricular lymph nodes or posterior auricular glands) are a small group of lymph nodes, usually two in number, located just beneath the ear, on the mastoid insertion of the sternocleidomastoideus muscle, beneath the posterior auricular muscle.
The Illyrian type helmet (or Greco-Illyrian type helmet) [note 1] is a style of bronze helmet, which in its later variations covered the entire head and neck, and was open-faced in all of its forms. [4] It originated in Peloponnese, ancient Greece, [5] and was developed during the 8th and 7th centuries BC (700–640 BC).
He says that the pierced ears indicate that the mask was intended for a female pharaoh, which Neferneferuaten was; that the slightly different composition of the underlying alloy of the face (23.2 karats) suggests it was made independently from the rest of the mask (23.5 karat alloy); and that the cartouches on the mask show signs of being ...
The costume consists of a leather hat, mask with glass eyes and a beak, stick to remove clothes of a plague victim, gloves, waxed linen robe, and boots. [2] The typical mask had glass openings for the eyes and a curved beak shaped like a bird's beak with straps that held the beak in front of the doctor's nose. [5]
It was a helmet made of bronze which in its later styles covered the entire head and neck, with slits for the eyes and mouth. A large curved projection protected the nape of the neck. Out of combat, a Greek hoplite would wear the helmet tipped upward for comfort. This practice gave rise to a series of variant forms in Italy, where the slits ...
Hence, many inscriptions in Greek temples banned those who had recent contact with dead bodies. [8] After the body was prepared, it was laid out for viewing on the second day. Kinswomen, wrapped in dark robes, stood round the bier, the chief mourner, either mother or wife, was at the head, and others behind. [9]
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