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Scholars have noted that the form of the poem follows the content: the wavelike quality of the long-then-short lines parallels the narrative thread of the poem. The extended metaphor of "crossing the bar" represents travelling serenely and securely from life into death. The Pilot is a metaphor for God, whom the speaker hopes to meet face to face.
Symphonic poem, "A Vision of Life" for soprano, bass, chorus & orchestra p. 1907; revised 1914 "Eton Memorial Ode" (Bridges) for chorus & orchestra p. 1908 "Ode on the Nativity" (Dunbar) for soprano, chorus & orchestra p. 1912; Naval Ode "The Chivalry of the Sea" (Bridges) for chorus & orchestra p. 1916
A writer learning the craft of poetry might use the tools of poetry analysis to expand and strengthen their own mastery. [4] A reader might use the tools and techniques of poetry analysis in order to discern all that the work has to offer, and thereby gain a fuller, more rewarding appreciation of the poem. [5]
Whether the Will is Free: Poems 1954–62 (1964) The New Poetic (1964) Smith's Dream (1971) Crossing the Bar (1972) Quesada: Poems 1972–74 (1975) Measure for Measure (1977, editor) Walking Westward (1979) Five for the Symbol (1981) Geographies (1982) In the Glass Case: Essays on New Zealand literature (1982) Poems of a Decade (1983) Paris: A ...
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The five living U.S. presidents — Joe Biden, Donald Trump, Barack Obama, George W. Bush and Bill Clinton — reunited to honor the life and legacy of Jimmy Carter. On Thursday, Jan. 9, a date ...
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In the mid-19th-century, the phrase "the harbor bar be moaning" in the poem and lyric "Three Fishers" connected working-class suffering to the noises. Later in that century, Alfred Lord Tennyson wrote " Crossing the Bar ", coupling "May there be no moaning of the bar" with images of life's end, and then designated it as essentially his own requiem.