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Sybil Leek (née Fawcett; 22 February 1917 – 26 October 1982) was an English witch, astrologer, occult author and self-proclaimed psychic. She wrote many books on occult and esoteric subjects, and was dubbed "Britain's most famous witch" by the BBC .
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In February 1964 Sybil Leek announced the formation of the Witchcraft Research Association, with herself as its first president. [1] The historian Ronald Hutton suggested that its creation had been influenced by two recent events: the death of prominent Wiccan Gerald Gardner and a lecture tour by the historian Russell Hope Robbins in which Robbins had publicly criticised the Witch-cult ...
She was strongly influenced by the Sybil Leek book, Diary of a Witch, which she read during high school. At the age of 17, Diana began practicing witchcraft. At the age of 20, she changed her name to Morning Glory because she did not care for the chastity requirement demanded of followers of the goddess Diana. [3]
For two years Willie and her father are undisturbed by the outside world except for the visits of an old friend, a 'ghost hunter,' and finally Elizabeth with whom her father falls in love. Once again not for long, although Jonathan tries and fails to curb the powers of this little pig-tailed Sybil Leek. . . .
Hans Holzer (26 January 1920 – 26 April 2009) was an Austrian-American author and parapsychologist. [1] He wrote more than 120 books on supernatural and occult subjects for the popular market as well as several plays, musicals, films, and documentaries, and hosted a television show, Ghost Hunter (not to be confused with Ghost Hunters).
However, The Threefold Law as an actual "law", was an interpretation of Wiccan ideas and ritual, first publicised by noted witch Raymond Buckland, in his books on Wicca. Prior to this, Wiccan ideas of reciprocal ethics were far less defined and more often interpreted as a kind of general karma. [10]
The first exposure she had to witchcraft was the Diary of a Witch written by Sybil Leek, however she was still doubtful of witchcraft. [1] Her first altar was a dressmaker’s board because of space limitations and for general privacy from others in the living space with her.
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