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Ralph Angus McQuarrie (/ m ə ˈ k w ɒr iː /; June 13, 1929 – March 3, 2012) was an American conceptual designer who worked in film and television. His career included work on the original Star Wars trilogy, the original Battlestar Galactica television series, the film E.T. the Extra-Terrestrial, and the film Cocoon, for which he won an Academy Award.
Ralph McQuarrie, a concept artist for the original 1977 Star Wars film, [a] based the initial design for C-3PO on the female robot from the Fritz Lang film Metropolis (1927). [5] [6] When Anthony Daniels saw one of McQuarrie's paintings of C-3PO, he was struck by the vulnerability in the droid's face, and he wanted the role.
"The History of Star Wars Posters". Film School Rejects. Archived from the original on 19 June 2017; Titelman, Carol; Hoffman, Valerie, eds. (1979). The Art of Star Wars (1st ed.). New York: Ballantine Books. ISBN 0345282736
The Art of Star Wars is a series of books by various editors featuring concept art from the Star Wars motion picture saga. The books mainly feature artwork accompanied by a short explanation of the scene and the artist's ideas, but also script notes, posters and other information.
Ralph McQuarrie, a production illustrator on Star Wars, designed the early concept art for the banthas. The original sketches depicted them as horse-like creatures, but with other attributes ultimately used in the final design, including a shaggy coat and two horns around the animal's mouth. The Tusken Raiders that would be riding banthas were ...
McQuarrie became recognized for his talent and went on to paint posters for Creature from Black Lake (1976), Close Encounters of the Third Kind (1977), Battlestar Galactica (1978), Back to the Future (1985), and the original Star Wars trilogy. His concept art was used to help convince 20th Century Fox to fund Star Wars. [13]
The A-wings in Star Wars Rebels use McQuarrie's alternative blue-and-white color scheme. [8] The A-wing was one of two new Rebel Alliance starfighters created for Return of the Jedi. [9] It was dubbed the A fighter because it was the first of the two designs created. [9] Ralph McQuarrie's production paintings of A-wing starfighters were ...
[9] [6] Lucas brought back artists Ralph McQuarrie and Joe Johnston to maintain visual consistency with Star Wars, and the trio began to conceptualize the snow battle in December. [10] [11] Lucas found concept work easier for Empire because the crew did not need to create completely new cultures or worry about "what sort of coffee cups they ...
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