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Teenage Mutant Ninja Turtles: The Original Motion Picture Soundtrack is the soundtrack to the 1990 New Line Cinema film Teenage Mutant Ninja Turtles. It was released by SBK Records on March 16, 1990. The collection is made up mostly of hip-hop and new jack swing styled tracks with several film score cues at the end.
The track appeared on the Teenage Mutant Ninja Turtles soundtrack and was also released as a single. In some territories it was released as "Spin That Wheel (Turtles Get Real)". References to drug use ("I smoke the mic like weed" and "This hypes you up like speed") were edited out of the soundtrack album.
Mutant Mayhem features hip-hop music from popular artists, with a heavy emphasis on classic East Coast hip-hop to go with the film's setting. [19] Many of the songs used in the films were ones that Rogen and Rowe would regularly listen to. [20] According to Rogen, Rowe likened the soundtrack to that of the Tony Hawk's video game series.
9. Teenage Mutant Ninja Turtles III (1993). Although the original live-action series reigns supreme, the third and final entry was a struggle. In Teenage Mutant Ninja Turtles III (1993), April is ...
In 1993, "Tarzan Boy" was featured on the soundtrack of the American film Teenage Mutant Ninja Turtles III, both in its original form and as a new remix by Daniel Abraham. [11] It was released as a single from the soundtrack and would re-enter the Billboard charts at number 68 and peak at number 51 five weeks later.
A sequel, Teenage Mutant Ninja Turtles: Out of the Shadows, was released in 2016 [6] and was the first film in the franchise to be considered financially unsuccessful. [7] [8] An animated reboot film, Teenage Mutant Ninja Turtles: Mutant Mayhem was released in 2023. [9] The seven films have grossed $1.3 billion worldwide. [10]
Teenage Mutant Ninja Turtles [a] is a 1990 American superhero film based on the comic book characters created by Kevin Eastman and Peter Laird.It is the first film adaptation of the characters and was directed by Steve Barron and written by Todd W. Langen and Bobby Herbeck from a story by Herbeck.
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