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Crazy Frog (originally known as The Annoying Thing) is a Swedish CGI-animated character and Eurodance musician created in 2003 by actor and playwright Erik Wernquist. . Marketed by the ringtone provider Jamba!, the character was originally created to accompany a sound effect produced by Daniel Malmedahl while attempting to imitate the sound of a two-stroke
"Axel F" is an electronic instrumental track by German musician Harold Faltermeyer. It served as the theme song for the 1984 film Beverly Hills Cop, its eponymous character (as portrayed by Eddie Murphy) and the film franchise it is based from, which became an international number-one hit in 1985.
[17] [18] The Sgt. Pepper's movie soundtrack was the first album in history to achieve "return platinum" status as stores took over four million copies of it off their shelves to ship back to their distributors. RSO Records destroyed hundreds of thousands of copies, crippling the company with a large financial loss. [19]
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Japanese music distributor Exit Tunes gained the rights from the original Caramell producers, Remixed Records, to distribute the sped-up version of the original song in Asia, releasing first an album in April 2008 called Uma Uma Dekiru Trance wo Tsukutte Mita which included "Caramelldansen" (named "U-u-uma uma" (Speedycake Remix)) and other popular meme songs at the time.
Joyful Noise is the soundtrack album to the 2012 film of the same name, starring Queen Latifah and Dolly Parton. The soundtrack was released on January 10, 2012, by WaterTower Music and contains three original compositions by Parton. The soundtrack produced two singles; "He's Everything" and "From Here to the Moon and Back".
An unofficial remix entitled "Bring DA Noise", (based on Led Zeppelin's – "Immigrant Song") was released for free download in 2005 by Irish radio presenter DJ Laz-e. The 2012 video game Yakuza 5 features a track titled “Skankfunk - Vendor Pop”, which samples the ending of the Anthrax version of “Bring The Noise”, which plays during ...
The first release of a version of "Close (to the Edit)" was as a nominal remix of "Beat Box" under the title "Beat Box (Diversion Two)". This was then re-edited and partly remixed with different effects applied, to become the version of "Close (to the Edit)" which appeared on the subsequent studio album Who's Afraid of the Art of Noise? (1984).