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In Greek mythology, Hephaestus was the son of Hera, either on her own or by her husband Zeus. He was cast off Mount Olympus by his mother Hera because of his lameness , the result of a congenital impairment; or in another account, by Zeus for protecting Hera from his advances (in which case his lameness would have been the result of his fall ...
A characteristic of Homer's style is the use of epithets, as in "rosy-fingered" Dawn or "swift-footed" Achilles.Epithets are used because of the constraints of the dactylic hexameter (i.e., it is convenient to have a stockpile of metrically fitting phrases to add to a name) and because of the oral transmission of the poems; they are mnemonic aids to the singer and the audience alike.
The Romans identified Vulcan with the Greek smith-god Hephaestus. [16] Vulcan became associated like his Greek counterpart with the constructive use of fire in metalworking. A fragment of a Greek pot showing Hephaestus found at the Volcanal has been dated to the 6th century BC, suggesting that the two gods were already associated at this date. [12]
The Sintians worshipped Hephaestus. They are mentioned in Homer : in the Iliad [ 7 ] as the folk who had tended Hephaestus in Lemnos after the lame smith god was let fall to earth; the Sintians "of wild speech" (ἀγριόφωνοι agriophonoi ) also appear in the Odyssey ; [ 8 ] in the tradition reported by Homer it was understood by their ...
In Greek mythology, Pandora (Greek: Πανδώρα, derived from πᾶν, pān, i.e. "all" and δῶρον, dōron, i.e. "gift", thus "the all-endowed", "all-gifted" or "all-giving") [1] was the first human woman created by Hephaestus on the instructions of Zeus. [2] [3] As Hesiod related it, each god cooperated by giving her unique gifts.
In Greek mythology, King Erichthonius (/ ə r ɪ k ˈ θ oʊ n i ə s /; Ancient Greek: Ἐριχθόνιος, romanized: Erikhthónios) was a legendary early ruler of ancient Athens. According to some myths, he was autochthonous (born of the soil, or Earth) and adopted or raised by the goddess Athena.
Polynices offering Eriphyle the necklace of Harmonia; Attic red-figure oenochoe ca. 450–440 BC. Louvre museum. The Necklace of Harmonia, also called the Necklace of Eriphyle, was a fabled object in Greek mythology that, according to legend, brought great misfortune to all of its wearers or owners, who were primarily queens and princesses of the ill-fated House of Thebes.
Greek mythology has changed over time to accommodate the evolution of their culture, of which mythology, both overtly and in its unspoken assumptions, is an index of the changes. In Greek mythology's surviving literary forms, as found mostly at the end of the progressive changes, it is inherently political, as Gilbert Cuthbertson (1975) has argued.