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Laudamus te, benedicimus te, adoramus te, glorificamus te, gratias agimus tibi propter magnam gloriam tuam, Domine Deus, Rex caelestis, Deus Pater omnipotens. Domine Fili unigenite, Iesu Christe, Domine Deus, Agnus Dei, Filius Patris, qui tollis peccata mundi, miserere nobis; qui tollis peccata mundi, suscipe deprecationem nostram.
Gratias agimus tibi Andante sostenuto: tenor Gloria in excelsis Deo Tempo I: Domine Deus Andante sostenuto: Qui tollis peccata mundi Andante mosso: Quoniam tu solus sanctus Maestoso: Cum Sancto Spiritu Fugue (Allegro) Credo 16 min. Credo in unum Deum Andante: Et incarnatus Moderato: tenor Crucifixus Adagio: baritone Et resurrexit Allegro: Et in ...
For example, Gratias agimus tibi (We give you thanks) is based on Wir danken dir, Gott, wir danken dir [9] (We thank you, God, we thank you) and the Crucifixus (Crucified) is based on the general lamenting about the situation of the faithful Christian, Weinen, Klagen, Sorgen, Zagen [9] (Weeping, lamenting, worrying, fearing) which Bach had ...
"Gratias agimus tibi" Allegretto, G minor, 3/4 ... The Sanctus section of the mass is a setting of a then-popular Austrian tune to the German translation of Sanctus ...
The second movement of the Gloria is a trio for alto, tenor, and bass. It sets the "Gratias agimus tibi propter magnam gloriam tuam" (We give you thanks for your great glory). [28] Marked Andante grazioso (= 76) in 2/4, it is made up of: an introduction for piano; theme A, used in different voices (measures 24–51)
As with other choral pieces the composer, Vivaldi, wrote many introduzioni (introductory motets) that were to be performed before the Gloria itself. Four introduzioni exist for these Glorias: Cur Sagittas (RV 637), Jubilate, o amoeni cori (RV 639) (the last movement of which is compositionally tied with the first movement of RV 588), Longe Mala, Umbrae, Terrores (RV 640), and Ostro Picta (RV 642).
Gratias agimus tibi; Four-part chorus (Soprano, Alto, Tenor, Bass) in D major, marked alla breve, time signature of . The music is a reworking of the second movement of Bach's 1731 Ratswechsel (Town Council Inauguration) cantata Wir danken dir, Gott, wir danken dir, BWV 29, in which the time signature is the number 2 with a slash through it ...
Latin (At the end of the meal) – "Agimus Tibi gratias, omnipotens Deus, pro universis beneficiis Tuis. Qui vivis et regnas in saecula saeculorum. Qui vivis et regnas in saecula saeculorum. Amen."