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Writing for The Guardian, historian Andrew Hussey described it as an "elegant, entertaining and occasionally brilliant overview of France past and present", noting that despite Robb's academic background in French literature, it is written in the style of an accomplished novelist, and lamented that the "discovery" of this element of French history was identified by an English writer, and was ...
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The Triangular Book of St. Germain or The Triangular Manuscript is an untitled 18th-century French text written in code, and attributed to the famous Count of St. Germain. It takes its name from its physical shape: the binding and sheets of vellum that comprise the manuscript are in the shape of an equilateral triangle.
French fairy tales are particularly known by their literary rather than their folk, oral variants. Perrault derived almost all his tales from folk sources, but rewrote them for the upper-class audience, removing rustic elements. The précieuses rewrote them even more extensively for their own interests. [1]
The 100 Books of the Century (French: Les cent livres du siècle) is a list of the hundred most memorable books of the 20th century, regardless of language, according to a poll performed during the spring of 1999 by the French retailer Fnac and the Paris newspaper Le Monde.
"Que sais-je?" (QSJ) (French: [kə sɛʒ]; Literally: "What do I know?", ISSN 0768-0066) is an editorial collection published by the Presses universitaires de France (PUF). The aim of the series is to provide the lay reader with an accessible introduction to a field of study written by an expert in the field.
Éditions Gallimard (French: [edisjɔ̃ ɡalimaːʁ]), formerly Éditions de la Nouvelle Revue Française (1911–1919) and Librairie Gallimard (1919–1961), is one of the leading French book publishers. In 2003, it and its subsidiaries published 1,418 titles. [citation needed]
Whilst artists have been involved in the production of books in Europe since the early medieval period (such as the Book of Kells and the Très Riches Heures du Duc de Berry), most writers on the subject cite the English visionary artist and poet William Blake (1757–1827) as the earliest direct antecedent.
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