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"Aqualung" is a song by the British progressive rock band Jethro Tull, and the title track from their Aqualung (1971) album. The song was written by the band's frontman, Ian Anderson , and his then-wife Jennie Franks .
Aqualung is the fourth studio album by the English rock band Jethro Tull; it was released in March 1971 by Chrysalis Records.Though it is generally regarded as a concept album, featuring a central theme of "the distinction between religion and God", the band have said there was no intention to make a concept album, and that only a few songs have a unifying theme. [4]
The Jethro Tull Christmas Album, a collection of traditional Christmas songs and Christmas songs written by Jethro Tull, was released in 2003. It was the last studio album to be recorded by the band for nearly 20 years, and it became their biggest commercial success since 1987's Crest of a Knave .
Jethro Tull crafted an unlikely rock icon in the haunting image of a homeless man. In "decades" tour, the band's and Aqualung's power persists.
"Locomotive Breath" was released on Jethro Tull's 1971 album Aqualung in 1971. An edit of the song was released in the US as a single in 1971, backed with "Wind-Up", though it did not chart. A 1976 single release of the song, backed with "Fat Man", was more successful, reaching number 59 on the Billboard charts [8] and number 85 in Canada. [9]
Jethro Tull's frontman and songwriter Ian Anderson was infuriated when critics called the band's previous album, Aqualung (1971), a "concept album". He rejected this, thinking it was simply a collection of songs, so in response decided to "come up with something that really is the mother of all concept albums". [2]
"Cross-Eyed Mary" is a song by the British progressive rock band Jethro Tull from their album Aqualung (1971). [2] The song is about "Cross-Eyed Mary", a schoolgirl prostitute [3] who prefers the company of "leching greys" over her schoolmates. It was intended as a companion piece to "Aqualung", the opening album track about a homeless man.
Songwriter Ian Anderson described the song as "a blues for Jesus, about the gory, glory seekers who use his name as an excuse for a lot of unsavoury things. You know, 'Hey Dad, it's not my fault — the missionaries lied.'" [3] Sean Murphy of PopMatters wrote that, "For “Hymn 43” Anderson sets his sights on the US and in quick order sets about decimating the hypocrisy and myth-making of ...