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Charles Badger Clark was born on January 1, 1883, in Albia, Iowa. [ 1 ] [ 6 ] His family moved to Dakota Territory , where his father served as a Methodist preacher in Huron , Mitchell , Deadwood and Hot Springs , [ 1 ] [ 2 ] [ 3 ] preaching at Calamity Jane 's funeral. [ 5 ]
Badger Hole, also known as Badger Clark Historical Site, was the home of Charles Badger Clark (1883–1957), who was named South Dakota's first Poet Laureate in 1937 [8] and was noted for his cowboy poetry. The house is maintained as it was when Clark lived there. Visitors can tour the home and hike the adjacent Badger Clark Historic Trail.
Charles Heber Clark (1841–1915), American humorist; Charles W. Clark (1865–1925), American baritone; Charles Badger Clark (1883–1957), American poet; Charles Clark (musician) (1945–1969), American jazz bassist; Charles Dow Clark, actor and American football coach and referee
State flag of South Dakota Location of South Dakota on the U.S. map This is a list of prominent people who were born in or lived for a significant period in U.S. state of South Dakota. For a larger list by location, see People from South Dakota. This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable ...
"Spanish Is the Loving Tongue" is a song based on the poem "A Border Affair" written by Charles Badger Clark in 1907. Clark was a cowboy poet who lived throughout the American West, and was named the Poet Laureate of South Dakota in 1937. The poem was set to music in 1925 by Billy Simon.
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Prior to opening a business in Deadwood, Swearengen operated a dance house in Custer, South Dakota.As stated in the 1882 New Year Edition of the Black Hills Pioneer, which described the early history of Custer, "Al Swearengen was running a dance house of 30X150 feet in dimensions and day and night a man had to push and crowd to get into it."
Spanish Is the Loving Tongue" is a song based on the 1907 poem "A Border Affair" written by Charles Badger Clark, a cowboy poet. Prolific Dylan scholar Eyolf Østrem nominated the 1973 release "a contender (for) Dylan's most tasteless arrangement."