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Music videos 13 The discography of the American rock band Saliva consists of eleven studio albums , one compilation album , one extended play , twenty-three singles and thirteen music videos .
"Always" is a song by American rock band Saliva.It was released in 2002 as the first single off their third studio album Back into Your System (2002). The song reached number one on the Billboard Modern Rock Tracks (now called Alternative Songs) chart for one week in February 2003, making this Saliva's only number-one hit in their career.
Saliva was founded in Bartlett, Tennessee [1] [8] (a suburb of Memphis, Tennessee) in September 1996 by former members of local bands Roxy Blue, Blackbone and Gemini Clan. [3] [9] [10] [11] The original line-up featured vocalist Josey Scott Sappington, drummer Todd Poole, bassist Dave Novotny and guitarists Chris D'Abaldo and Wayne Swinny.
A music video was released for the song. The video revolves around a boy who unwittingly finds himself in a moshpit in which the band performs. Near the end of the video, after being enticed by a girl straight out from the crowd, the boy joins the moshpit.
Download QR code; Print/export ... "Badass" is a song by the American rock band Saliva, ... A music video was made for "Badass." It debuted online on April 12, 2011.
The video was shot in Los Angeles' Grand Olympic Auditorium on July 20, 2004. [5] Directed by Wayne Isham, [6] the video follows two girls going to the backstage VIP area of a Saliva concert. After passing the time in the location, Josey Scott arrives to join the girls but the viewers are left to their "own imagination for the seedy details ...
Normani's "Motivation" music video was truly a turning point for the singer’s trajectory. It was a moment that not only fed the internet's collective thirst for early 2K nostalgia, but also ...
"Ladies and Gentlemen" garnered negative reviews from music critics. Rolling Stone ' s Christian Hoard criticized the song for being "crappy arena metal". [2] PopMatters contributor Andrew Blackie found it "painfully unnecessary", describing it as "[A] third-rate downtuned distortion-fest, the verses aren’t so much sung as spoken... in a monotonous swagger."