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In the foreground, from a large hole in the ground, emerge birds and winged animals, some of which are realistic, some fantastic. Behind a fish, a person clothed in a short-sleeved hooded jacket and with a duck's beak holds an open book as if reading. [22] To the left of the area, a cat holds a small lizard-like creature in its jaws.
Wuthering Heights is the only novel by the English author Emily Brontë, initially published in 1847 under her pen name "Ellis Bell". It concerns two families of the landed gentry living on the West Yorkshire moors, the Earnshaws and the Lintons, and their turbulent relationships with the Earnshaws' foster son, Heathcliff.
The Lathe of Heaven is a 1971 science fiction novel by American writer Ursula K. Le Guin, first serialized in the American science fiction magazine Amazing Stories. It received nominations for the 1972 Hugo [ 1 ] and the 1971 Nebula Award , [ 2 ] and won the Locus Award for Best Novel in 1972. [ 1 ]
The illustration depicts a man, dressed as a pilgrim in a long robe and carrying a walking stick, who has reached a point where the flat Earth meets the firmament. The pilgrim kneels down and passes his head, shoulders, right arm, and the top of the walking stick through an opening in the firmament, which is depicted as covered on the inside by ...
In the 18th century, small paintings of working people remained popular, mostly drawing on the Dutch tradition and featuring women. Much art depicting ordinary people, especially in the form of prints, was comic and moralistic, but the mere poverty of the subjects seems relatively rarely to have been part of the moral message. From the mid-19th ...
The work comprises three separate paintings on a theme of the end of the world, inspired by the Book of Revelation. The paintings, The Plains of Heaven, The Last Judgement, and The Great Day of His Wrath, are generally considered to be among Martin's most important works, and have been described by some art critics as his masterpiece.
Wanderer above the Sea of Fog [a] is a painting by German Romanticist artist Caspar David Friedrich made in 1818. [2] It depicts a man standing upon a rocky precipice with his back to the viewer; he is gazing out on a landscape covered in a thick sea of fog through which other ridges, trees, and mountains pierce, which stretches out into the distance indefinitely.
The Book of Job was an important influence upon Blake's writings and art; [11] Blake apparently identified with Job, as he spent his lifetime unrecognized and impoverished. Harold Bloom has interpreted Blake's most famous lyric, The Tyger, as a revision of God's rhetorical questions in the Book of Job concerning Behemoth and Leviathan. [12]