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Hanfu has influenced the traditional clothing of many neighbouring cultures, including the Korean Hanbok, [7] the Japanese kimono , [8] [9] the Ryukyuan ryusou, [10] [11] and the Vietnamese áo giao lĩnh (Vietnamese clothing).
An indigo formal ritual clothing, worn by Taoism priests in the Quanzhen order; the blue colour is a symbolism for the East. [27] It is cross-collared. [32] Unknown – Present Da gua 大褂 "Great gown" [27] It is a common type of informal, daily clothing worn by Taoists; in present days, it is mostly narrow-sleeved and blue in colour. [32]
Waist belt with a jade pendant, a common belt accessory in hanfu. Belts and silk bands are commonly referred as dai (simplified Chinese: 带; traditional Chinese: 帶). [28] Dai have been deeply connected to ancient Chinese clothing and just like the style of the ancient clothing have known changes over time, so did the dai. [28]
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Mianfu (Chinese: 冕服; pinyin: miǎnfú; lit. 'coronation costume') is a kind of Chinese clothing in hanfu; it was worn by emperors, kings, and princes, and in some instances by the nobles in historical China from the Shang to the Ming dynasty. The mianfu is the highest level of formal dress worn by Chinese monarchs and the ruling families in ...
It was therefore a taboo in Chinese clothing culture for a living person to wear clothing with a zuoren closure. [7] There are exceptions in which living Han Chinese would wear clothing with a zuoren closure. For example, in some areas (such as Northern Hebei) in the 10th century, some ethnic Han Chinese could be found wearing left-lapel ...
Most of ancient northern Vietnam was referred as the Lạc Việt which was considered to be part of the Baiyue region in ancient Chinese texts. [1]: 26 Prior to the Chinese conquest, the Tai nobles first came in Northern Vietnam during the Đông Sơn era, and they started to assimilate the local Mon-Khmer and Kra-dai people in a processed referred as Tai-ization or Tai-ification as the Tai ...
Chinese clothing, including traditional Hanfu, ethnic minority garments, and modern adaptations of indigenous styles, is a vital aspect of Chinese culture and civilization. For thousands of years, Chinese clothing has evolved with dynastic traditions, foreign influences, and cultural exchanges, adapting to the needs of each era. [ 1 ]