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The most likely genesis for the mock-heroic, as distinct from the picaresque, burlesque, and satirical poem is the comic poem Hudibras (1662–1674), by Samuel Butler. Butler's poem describes a "trew blew" Puritan knight during the Interregnum , in language that imitates Romance and epic poetry .
Arabella Fermor, a 19th-century print after Sir Peter Lely's portrait of her. The Rape of the Lock is a mock-heroic narrative poem written by Alexander Pope. [1] One of the most commonly cited examples of high burlesque, it was first published anonymously in Lintot's Miscellaneous Poems and Translations (May 1712) in two cantos (334 lines); a revised edition "Written by Mr. Pope" followed in ...
"Casey at the Bat: A Ballad of the Republic, Sung in the Year 1888" is a mock-heroic poem written in 1888 by Ernest Thayer. It was first published anonymously in The San Francisco Examiner (then called The Daily Examiner) on June 3, 1888, under the pen name "Phin", based on Thayer's college nickname, "Phinney". [1]
Pages in category "Mock-heroic English poems" The following 14 pages are in this category, out of 14 total. This list may not reflect recent changes. C. Sir Thopas; D.
Mock-heroic English poems (14 P) Pages in category "Mock-heroic poems" The following 10 pages are in this category, out of 10 total. This list may not reflect recent ...
The Hasty-Pudding is a mock-heroic poem by Joel Barlow.First published in 1796 in The New-York Magazine, it is now commonly anthologized.. The poem, on the literal level, celebrates the simple life exemplified in the new America by hasty pudding (or cornmeal mush).
Hudibras (/ ˈ h j uː d ɪ b r æ s /) [1] is a vigorous satirical poem, written in a mock-heroic style by Samuel Butler (1613–1680), and published in three parts in 1663, 1664 and 1678. The action is set in the last years of the Interregnum , around 1658–60, immediately before the restoration of Charles II as king in May 1660.
The Dunciad (/ ˈ d ʌ n s i. æ d /) is a landmark, mock-heroic, narrative poem by Alexander Pope published in three different versions at different times from 1728 to 1743. The poem celebrates a goddess, Dulness, and the progress of her chosen agents as they bring decay, imbecility, and tastelessness to the Kingdom of Great Britain.