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The first season of the American crime drama series The Sopranos aired on HBO from January 10 to April 4, 1999. The first season was released on DVD in North America on December 12, 2000, [1] and on Blu-ray on November 24, 2009.
James Gandolfini is the only cast member to appear in all 86 episodes of the series. [1]The Sopranos is an American crime drama television series created by David Chase.The series follows Tony Soprano (James Gandolfini), an Italian-American mobster, as he struggles with various personal and professional obstacles.
The Sopranos is an American crime drama television series created by David Chase.The series revolves around Tony Soprano (James Gandolfini), a New Jersey-based Italian-American mobster who struggles to balance his family life with his role as the leader of a criminal organization, which he reluctantly explores during therapy sessions with psychiatrist Jennifer Melfi (Lorraine Bracco).
"College" is the fifth episode of the first season of the HBO television drama series The Sopranos, and originally aired on February 7, 1999. It was written by co-producer James Manos Jr. and series creator and executive producer David Chase. The episode was directed by Allen Coulter.
Although Vito Spatafore was not introduced on The Sopranos until the Season 2 episode "The Happy Wanderer" as a nephew to fellow mobster Richie Aprile and cousin to Adriana La Cerva and Jackie Aprile Jr., Gannascoli appeared in the Season 1 episode, "The Legend of Tennessee Moltisanti" as a pastry shop patron named "Gino".
"Nobody Knows Anything" is the 11th episode of the HBO original series The Sopranos. Written by Frank Renzulli and directed by Henry J. Bronchtein , it originally aired on March 21, 1999. Starring
In season two, the role of Angie Bonpensiero is recast with Toni Kalem and that of Gabriella Dante with Maureen Van Zandt, Steven Van Zandt's real-life wife. This is the first episode directed by Tim Van Patten, who would become a regular director on the series. This is the first episode to have Phil Abraham as cinematographer.
In a retrospective review, Emily St. James of The A.V. Club wrote that the "[ending] montage - intercut with Tony watching Meadow sing - is one of the first moments when The Sopranos takes music and rises above its prosaic, muddy universe to become something like sublime"; St. James commented that although the episode "is a 'Let's get the plot ...
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