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Funeral Blues", or "Stop all the clocks", is a poem by W. H. Auden which first appeared in the 1936 play The Ascent of F6. Auden substantially rewrote the poem several years later as a cabaret song for the singer Hedli Anderson. Both versions were set to music by the composer Benjamin Britten.
This play included the first version of "Funeral Blues" ("Stop all the clocks"), written as a satiric eulogy for a politician; Auden later rewrote the poem as a "Cabaret Song" about lost love (written to be sung by the soprano Hedli Anderson, for whom he wrote many lyrics in the 1930s). [63]
Such was the popular mood (remember the queues across the bridges near Westminster Abbey) that the words of the poem, so plain as scarcely to be poetic, seemed to strike a chord. Not since Auden's 'Stop All the Clocks' in the film Four Weddings and a Funeral had a piece of funerary verse made such an impression on the nation. In the days ...
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Auden's "Funeral Blues" (also known as "Stop all the clocks", later to become famous through its use in the film Four Weddings and a Funeral) was originally written for Anderson and set to music by Britten as part of Auden and Isherwood's play The Ascent of F6 (1936), then revised by Auden as a separate poem.
In the film Four Weddings and a Funeral, directed by Mike Newell, W. H. Auden's "Stop all the clocks" is read as a eulogy. "[I]t so moved audiences that Random House published a slender paperback with "Funeral Blues" plus nine other Auden poems in a hot-selling edition of forty thousand copies." [1]
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Dame Judi Dench has revealed the apple tree she planted in honour of her friend Dame Maggie Smith bore fruit on the day of the actress’s funeral. Oscar-winning actress Dame Maggie, known for ...
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