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Another initial weapon used to teach both control and the basic precepts of utilizing a weapon with Hapkido techniques is the Jung Bong (police baton sized stick), techniques and defenses against the 35 cm short stick (Korean: 단봉; Hanja: 短棒; RR: danbong), a walking stick or cane (ji-pang-ee; 지팡이), and a rope are introduced in ...
Sin Moo Hapkido's ranking system is somewhat similar to other ranking systems. Gups (급, called also kups) are beginner student stages and dans (단) are advanced student stages. Though Sin Moo Hapkido has had a number of different revisions as far as rank structure, this is the current organization used by Ji, Han-jae.
He began his study of hapkido as a teenager with Yongsul Choi in Seoul, Korea but the bulk of his training came from numerous other hapkido instructors where he received most of his black belt rankings. [4] [5] Han studied and refined this Korean martial art for more than 50 years. He held the rank of 9th dan black belt in hapkido. He was the ...
After Choi returned to Korea in 1946 he started teaching a martial art he had learned in Japan, Daito Ryu Aikijujitsu. His initial students and their students, etc., adapted these techniques to their own needs and added techniques from other Korean and non-Korean styles, forming Hapkido, Kuksool Won, Hwarangdo, Tukgongmoosul, Hanmudo, Hanpul ...
As a result, Hapkido possesses one of the most complex, unique, and varied arsenals of self-defense techniques to be found in any martial art. These skills encompass all major martial categories: strikes, kicks, blocks, avoiding movements, holds, joint locks, chokes, throws, breakfalls, tumbling, ground fighting, weapons, meditation, and healing.
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Combat Hapkido does not incorporate certain traditional Hapkido techniques which it deemed impractical for modern self-defense scenarios. For example, acrobatic break falls, jump/spinning kicks, forms, and meditation have been omitted, along with the removal of weapons such as swords and other weapons which would be impractical and not typically carried in modern society.
This new hapkido style can be recognized by its elegant, circular movements which the hankido practitioner uses to get in control of his or her opponent. Of course this is partly because hankido has its roots partly in hapkido, but also because Myung Jae Nam, who was a talented dancer, mixed the techniques with traditional Korean dance.
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