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The danger is that the serious student may become theory-ridden, forgetting that Freud's is not the only approach to literary criticism. To see a great work of fiction or a great poem primarily as a psychological case study is often to miss its wider significance and perhaps even the essential aesthetic experience it should provide.
The First Modern Comedies (1959), the first of Holland's major publications, is a New Critical study of the three major writers of Restoration comedy. [8] This publication was followed by The Shakespearean Imagination (1964), [9] a guide to reading Shakespeare's works and Holland's New Critical analyses of thirteen major plays of Shakespeare.
[with H. Willard Reninger] A psychological approach to literary criticism (New York, London: D. Appleton and Company, 1933) [with T.C. Schneirla] Principles of animal psychology (New York: McGraw-Hill, 1935; revised ed. 1964) A further analysis of reasoning in rats. II. The integration of four separate experiences in problem solving. III.
In literature, psychological fiction (also psychological realism) is a narrative genre that emphasizes interior characterization and motivation to explore the spiritual, emotional, and mental lives of its characters. The mode of narration examines the reasons for the behaviours of the character, which propel the plot and explain the story. [1]
Cognitive poetics is a school of literary criticism that applies the principles of cognitive science, particularly cognitive psychology, to the interpretation of literary texts. It has ties to reader-response criticism , and also has a grounding in modern principles of cognitive linguistics .
The empirical study of literature attracts scholarship particularly in the areas of reception and audience studies and in cognitive psychology when it is concerned with questions of reading. In these two areas research and studies based on the framework are steadily growing.
Theory of Literature is a book on literary scholarship by René Wellek, of the structuralist Prague school, and Austin Warren, a self-described "old New Critic". [1] The two met at the University of Iowa in the late 1930s, and by 1940 had begun writing the book; they wrote collaboratively, in a single voice over a period of three years.
Warren and Wellek discuss an extrinsic approach to the study of literature involving approaching literature from perspectives of biography, psychology, society, ideas, and other arts. Theory of Literature also discusses an intrinsic approach to studying literature, discussing the use of devices such as euphony, rhythm, meter, stylistics ...
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