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The album spent 63 weeks on the Billboard charts, peaking at No. 16 on the R&B albums [2] chart and No. 50 on the Top Pop Albums chart. [3] In 1987, the album won the Grammy Award for Best Jazz Fusion Performance, Vocal or Instrumental [4] and the song "Since I Fell for You" earned a nomination for Al Jarreau in the category Best R&B Vocal Performance, Male.
Heads is the fifth album by the jazz musician Bob James, released in October 1977. It was his first album released on his newly formed Tappan Zee label, which was distributed by Columbia Records. All of his Tappan Zee albums (which includes his CTI back-catalog) are distributed by E1 Music.
Touchdown is the sixth album by Bob James, released in 1978 on his Tappan Zee label thru Columbia.. The album's title is a reference to this being James' sixth solo album (a touchdown being worth six points in American football), a pattern also followed by his previous album Heads (featuring a five cent coin on its cover) and next album Lucky Seven.
One is the first solo album, and third album overall, by jazz keyboardist Bob James.It was an important album in the early smooth jazz genre and is famous for its end track, "Nautilus", which became important to hip hop as one of the most sampled tracks in American music.
The album is the second of a series of jazz-funk classics (along with One, Three and BJ4). Released in 1975, the album charted at number two on the Jazz Album Charts. The track "Take Me to the Mardi Gras" is one of the most widely used tracks in hip-hop breakbeat samples.
Robert McElhiney James (born December 25, 1939) [1] is an American jazz keyboardist, arranger, and record producer. He founded the band Fourplay and wrote "Angela", the theme song for the TV show Taxi. [2]
Lucky Seven is the seventh album by jazz keyboardist Bob James, released in 1979. ... All songs are written by Bob James except where noted. "Rush Hour" – 6:39
Hands Down is the tenth studio album by Bob James), released in 1982. This was a turning point in James career, with the tracks "It's Only Me" and "Spunky" being early exponents of electronic jazz . At the time electronica was transforming popular music in reaction to the big orchestrations of the late 1970s (prevalent on James' previous works).
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