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I Left My Heart in San Francisco is an album by American singer Tony Bennett, released in 1962 on Columbia Records. The album debuted on the Billboard Top LPs chart in the issue dated October 13, of that year, and remained on the album chart for 149 weeks, peaking at No. 5 [ 2 ] and has been certified platinum by the RIAA .
"I Left My Heart in San Francisco" George Cory, Douglas Cross: 2:48 6 "Fly Me to the Moon" Bart Howard: 2:34 7 "Days of Wine and Roses" Henry Mancini, Johnny Mercer: 2:53 8 "I Remember You" Victor Schertzinger, Mercer: 2:36 9 "My Coloring Book" John Kander, Fred Ebb: 3:32 10 "Chances Are" Robert Allen, Al Stillman: 3:00 11 "Slightly Out Of Tune ...
Dancehall is a genre of Jamaican popular music that originated in the late 1970s. [4] [5] Initially, dancehall was a more sparse version of reggae than the roots style, which had dominated much of the 1970s.
I Left My Heart in San Francisco" is a popular song, best known as the signature song of Tony Bennett. It was written in late-1953 in Brooklyn, New York , with music by George Cory (1920–1978) and lyrics by Douglass Cross (1920–1975).
The Hot Club of San Francisco is an American gypsy jazz band. [1] [2] Led by guitarist, songwriter, and arranger Paul 'Pazzo' Mehling, the group uses the instrumentation of violin, bass, and guitars from Django Reinhardt and Stephane Grappelli’s Quintette du Hot Club de France and performs arrangements of gypsy jazz standards, pop songs, and original compositions by Mehling.
A "version" is an alternative cut of a song made for the DJ to "toast" over (a form of Jamaican rapping), usually with some or all of the original vocal removed. These "versions" were used as the basis of new songs by rerecording them with new elements. [ 18 ]
An RFU spokesperson said: “The ‘Swing Low, Sweet Chariot’ song has long been part of the culture of rugby and is sung by many who have no awareness of its origins or sensitivities. We are ...
The Charlatans were an American folk rock and psychedelic rock band that played a role in the development of the San Francisco Haight-Ashbury music scene during the 1960s. [5] [6] They are often cited by critics as being the first group to play in the style that became known as the San Francisco Sound. [7] [8]