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For When Dream and Day Unite, Dream Theater's debut, Myung played a modified Music Man StingRay four-string bass and a Fender Jazz Bass. The StingRay (his main live instrument in that period) was customized with an added front pickup driving a clean bass amp, while the bridge signal was sent to the effects chain.
The Guitar Rig environment is a modular system, providing capabilities for multiple amplifiers, effects pedals and rack mounted hardware.Primarily designed for electric guitar and bass, the software uses amplifier modeling to allow real-time digital signal processing in both standalone and DAW environments via plug-in (VST/DXi/RTAS/AU).
Some bass amps have a 15 or 20 dB pad which can be used to attenuate "hot" signals, such as basses with an internal preamplifier (depending on the model of amplifier, some brands may provide two inputs (high and low gain) instead of providing a "pad". This pad can be turned on using a button. Some bass amps have an even stronger pad, a 40 dB pad.
Fuzz bass (also called bass overdrive) is a style of playing the electric bass that produces a buzzy, overdriven sound via a tube or transistor amp or by using a fuzz or overdrive pedal. Notable examples of fuzz effect units include the: Arbiter Fuzz Face , Electro-Harmonix Big Muff , Shin-ei Companion FY-2 , Univox Super-Fuzz , Vox Tone Bender ...
Marshall currently manufactures a professional, all-valve bass rig called the VBA400. It houses eight 6550 power valves plus three ECC83 and one ECC82 preamplifier valves. The input accommodates both active and passive bass pick-ups; there is also an XLR DI output for recording complete with Earth lift and Pre/Post EQ switches.
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A few Dumble amps have a Dumbleator circuit built in, but most have "un-buffered" input jacks that tap directly out of the pre-amp and into the power amp. Dumble likely created this external loop because of the difficulty of fitting effects loop buffering into the amplifier chassis (and the limited use of effects loops for most players).
This is a history of the equipment that the English rock band The Who used. It also notes their influence on the instruments of the time period. As their sound developed with each album, and their audience expanded with each tour, John Entwistle and Pete Townshend, supported by sound engineer Bob Pridden, became known for constantly changing their stage equipment.
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