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Amusia is a musical disorder that appears mainly as a defect in processing pitch but also encompasses musical memory and recognition. [1] Two main classifications of amusia exist: acquired amusia, which occurs as a result of brain damage, and congenital amusia, which results from a music-processing anomaly present since birth.
Other scales have been derived directly from experiments on human hearing perception, such as the mel scale and Bark scale (these are used in studying perception, but not usually in musical composition), and these are approximately logarithmic in frequency at the high-frequency end, but nearly linear at the low-frequency end.
Change deafness is a perceptual phenomenon that occurs when, under certain circumstances, a physical change in an auditory stimulus goes unnoticed by the listener. There is uncertainty regarding the mechanisms by which changes to auditory stimuli go undetected, though scientific research has been done to determine the levels of processing at which these consciously undetected auditory changes ...
When sensorineural hearing loss (damage to the cochlea or in the brain) is present, the perception of loudness is altered. Sounds at low levels (often perceived by those without hearing loss as relatively quiet) are no longer audible to the hearing impaired, but sounds at high levels often are perceived as having the same loudness as they would for an unimpaired listener.
Cerebral deafness (also known as cortical deafness or central deafness) is a disorder characterized by complete deafness that is the result of damage to the central nervous system. The primary distinction between auditory agnosia and cerebral deafness is the ability to detect pure tones, as measured with pure tone audiometry.
The tools used to collect such information are called psychophysical methods. Through these, the perception of a physical stimulus (sound) and our psychological response to the sound is measured. [9] Several psychophysical methods can measure absolute threshold. These vary, but certain aspects are identical.
Beat deafness is however, a very recent discovery and further research is necessary in gaining complete understanding of the phenomenon and its underlying brain processes. [6] In 2016 a study was published that examined the neural correlates of beat perception in two beat-deaf individuals, Mathieu and Marjorie, and a group of control participants.
Each Shepard tone consists of a set of octave-related sinusoids, whose amplitudes are scaled by a fixed bell-shaped spectral envelope based on a log frequency scale. For example, one tone might consist of a sinusoid at 440 Hz, accompanied by sinusoid at the higher octaves (880 Hz, 1760 Hz, etc.) and lower octaves (220 Hz, 110 Hz, etc.).