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Paul Bunyan is a giant lumberjack and folk hero in American [2] and Canadian folklore. [3] His tall tales revolve around his superhuman labors, [4] [5] and he is customarily accompanied by Babe the Blue Ox, his pet and working animal.
Paul Bunyan, The Frozen Logger, James Stevens (1892 – December 31, 1971) was an American writer and composer . Born in Albia, Iowa , [ 1 ] he lived in Idaho from a young age, and based much of his later novel Big Jim Turner (1948) on his childhood spent in Pacific Northwest logging camps.
The most famous depiction of a lumberjack in folklore is Paul Bunyan. Several towns claim to have been Paul Bunyan's home and have constructed statues of Bunyan and his blue ox "Babe". [43] Known for their many exploits, many real life loggers have become renowned for their extraordinary strength, intuition, and knowledge of the woods.
Log Chute, formerly known as Paul Bunyan's Log Chute sometimes Fog Chute for Halloween [1] or Yule Log Chute for Christmas, [2] and the Love Chute for Valentine's Day [3] is a log flume attraction sponsored by Xcel Energy (formerly sponsored by Brawny) at Mall of America's Nickelodeon Universe in Bloomington, Minnesota. [4]
Ol' Paul, the Mighty Logger is an anthology of ten original Paul Bunyan tall tales: it was written and illustrated by Glen Rounds, and published by Holiday House in 1936. [1] Upon its publication, Kirkus Reviews praised it, saying that "there's a harmony about this book -- the telling of familiar episodes from the Paul Bunyan legend, the ...
Like Paul Bunyan, he became the subject of many similar tall tales. Mufferaw is sometimes enlisted as a defender of oppressed French-Canadian loggers [1] in the days that their bosses were English-Canadians and their rivals at work were Irish-Canadian criminals. In one story, Big Joe was in a Montreal bar, and a British army major named Jones ...
Paul Bunyan, Op 17, is an operetta in two acts and a prologue composed by Benjamin Britten to a libretto by W. H. Auden, designed for performance by semi-professional groups. It premiered at Columbia University on 5 May 1941, to largely negative reviews, and was withdrawn by the composer.
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