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Patterns in nature are visible regularities of form found in the natural world. These patterns recur in different contexts and can sometimes be modelled mathematically . Natural patterns include symmetries , trees , spirals , meanders , waves , foams , tessellations , cracks and stripes. [ 1 ]
Ornamental or decorative art can usually be analysed into a number of different elements, which can be called motifs. These may often, as in textile art, be repeated many times in a pattern. Important examples in Western art include acanthus, egg and dart, [2] and various types of scrollwork.
The honeycomb is a well-known example of tessellation in nature with its hexagonal cells. [82] In botany, the term "tessellate" describes a checkered pattern, for example on a flower petal, tree bark, or fruit. Flowers including the fritillary, [83] and some species of Colchicum, are characteristically tessellate. [84]
Images Chinese characters Border Gong (工; work) and bats Decorative Floral and twines Grass pattern Tang caowen [4] Twined branches Chanzhiwen [4] Curves Pommel pattern Guri (屈輪) / Pommel scroll [21] Geometric Diagonal Diagonal straight lines Lishui: Diagonal wavy lines Semicricles Horizontal semi-circles Woshui Curvilinear Swirl [4] Wavy ...
Meanders are common decorative elements in Greek and Roman art. In ancient Greece they appear in many architectural friezes, and in bands on the pottery of ancient Greece from the Geometric period onward. The design is common to the present-day in classicizing architecture, and is adopted frequently as a decorative motif for borders for many ...
A pattern is a regularity in the world, in human-made design, [1] or in abstract ideas. As such, the elements of a pattern repeat in a predictable manner. A geometric pattern is a kind of pattern formed of geometric shapes and typically repeated like a wallpaper design. Any of the senses may directly observe patterns.
Presently, the effect of the influence of nature is less obvious: instead of designed objects looking exactly like the natural form, they use only slight characteristics to remind us of nature. Victor Papanek (1923–1999) was one of the first American industrial designers to use biomorphic analysis in his design assignments.
An alpana is usually created on flooring, generally directly on the ground. On this, a wet white pigment made of rice flour and water (or in some places, chalk powder and water) is used to outline the alpana, with the paint being applied by the artist's finger tips, a small twig, or a piece of cotton thread that is soaked in the dye, or fabric. [3]